Postcolonial Trauma, Memory and Care in Bodunrin B. Sasore’s Breath of Life

New Nollywood is offering aesthetically driven strategies of reading the African colonial past and its traumatic and complex implication in the postcolonial present and future. Postcolonial film has become a mode of memorializing the paradigm-shattering colonial experience and its persistent legacy...

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Bibliographic Details
Published in:Research in African literatures Vol. 55; no. 3; pp. 126 - 143
Main Author: Isiguzo, Chikwurah Destiny
Format: Journal Article
Language:English
Published: Bloomington Indiana University Press 22.09.2025
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ISSN:0034-5210, 1527-2044, 1527-2044
Online Access:Get full text
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Summary:New Nollywood is offering aesthetically driven strategies of reading the African colonial past and its traumatic and complex implication in the postcolonial present and future. Postcolonial film has become a mode of memorializing the paradigm-shattering colonial experience and its persistent legacy on individuals and communities. The present study therefore explicates how B. B. Sasore’s film, Breath of Life (2023), rethinks and reimagines colonial experience and impact by focusing on the traumatic experience of individual and collective victims of colonial violence. Following conceptualizations of trauma, memory, and care, this study examines how Breath of Life (2023), through the depiction of memory, connects a traumatic colonial past to the present. The study argues that care can mollify traumatic individual and collective experiences.
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ISSN:0034-5210
1527-2044
1527-2044
DOI:10.2979/ral.00077