Psychological Suggestive Connotations in Fahd Al-Askar’s Poetry: “Woman and Wine” Poem as a Model

This study explores the existentialist ideas and perspectives of the poet Fahd Al-Askar played a prominent role in challenging societal values and traditions, which he viewed as obstructing freedom and social justice. The study employed a descriptive analytical approach to analyse Al-Askar’s poetry....

Celý popis

Uloženo v:
Podrobná bibliografie
Vydáno v:Journal of language teaching and research Ročník 16; číslo 1; s. 107 - 117
Hlavní autoři: Al-Gayam, Ismeel M. M., Al-Rawashdeh, Basma A. S., Essa, Ahmad H. M. Bany, Rababah, Mahmoud A.
Médium: Journal Article
Jazyk:angličtina
Vydáno: London Academy Publication Co., LTD 01.01.2025
Academy Publication Co., Ltd
Témata:
Al-Askar, Fahad (1917-1951)
Al-Askar, Fahd
Alcohol
Analysis
Arabic poetry
Connotation
Connotation (Linguistics)
Criticism and interpretation
Freedom of religion
Freedoms
Literary criticism
Metaphor
Middle Eastern literature
Morphology
Phonetics
Poetry
Poets
Psychological aspects
Psychology
Semantics
Social justice
Social roles
Society
Taboos
Wines
Women
Kuwait
ISSN:1798-4769, 2053-0684
On-line přístup:Získat plný text
Tagy: Přidat tag
Žádné tagy, Buďte první, kdo vytvoří štítek k tomuto záznamu!
Popis
Shrnutí:This study explores the existentialist ideas and perspectives of the poet Fahd Al-Askar played a prominent role in challenging societal values and traditions, which he viewed as obstructing freedom and social justice. The study employed a descriptive analytical approach to analyse Al-Askar’s poetry. The results revealed that Al-Askar, as a poet with a mission, undertook the defense of his society's people, striving to spread intellectual and religious freedom. He used the themes of “woman” and “wine” as effective tools to convey his intended message. The “woman” was both a means and an end: a means to provoke societal taboos through sensual poetic descriptions, and an end to advocate women's recognition of their existence, identity, and right to participate equally in social roles alongside men. Sensual depictions served more as a pressing tool rather than an intrinsic purpose. As for “wine,” it represented another tool that Al-Askar utilized to challenge traditional societal norms. Being religiously forbidden, it served to create tension and provoke the customs of a conservative and committed society. By focusing on the central connotations of both “woman” and “wine,” Al-Askar infused them with suggestive and psychological peripheral meanings to produce the desired implications.
Bibliografie:ObjectType-Article-1
SourceType-Scholarly Journals-1
ObjectType-Feature-2
content type line 14
ISSN:1798-4769
2053-0684
DOI:10.17507/jltr.1601.12