The Functioning of the CONTAINER Conceptual Metaphor in Doris Lessing’s Children of Violence
This paper is based on the assumption that there is a system to conceptual metaphor and to its conceptualized linguistic expression. Conceptual metaphor is not a matter of arbitrary fixity. Individual basic metaphors and even generic-level metaphors are not isolated. There is a higher unity to metap...
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| Published in: | Crossroads (Białystok, Poland) no. 3 (3); pp. 35 - 46 |
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| Main Author: | |
| Format: | Journal Article |
| Language: | English |
| Published: |
Wydział Filologiczny Uniwersytetu w Białymstoku
2013
Faculty of Philology at the University of Bialystok Faculty of Philology, University of Bialystok |
| Subjects: | |
| ISSN: | 2300-6250, 2300-6250 |
| Online Access: | Get full text |
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| Summary: | This paper is based on the assumption that there is a system to conceptual metaphor and to its conceptualized linguistic expression. Conceptual metaphor is not a matter of arbitrary fixity. Individual basic metaphors and even generic-level metaphors are not isolated. There is a higher unity to metaphor that governs not only all basic and generic-level metaphors, but novel metaphors as well. When we understand a scene, including those described in literary texts, we naturally structure it in terms of conceptual mega-metaphors which may structurally unite the patterns of meaning throughout the whole of the text and find expression in various minor novel metaphors. As the subject matter of this analysis I have chosen the series of novels Children of Violence by the famous British writer Doris Lessing (1919-2013), the Nobel Prize winner for literature in 2007. |
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| ISSN: | 2300-6250 2300-6250 |
| DOI: | 10.15290/cr.2013.03.04 |