The Memory Factory The Forgotten Women Artists of Vienna 1900
The Memory Factory introduces an eng-speaking public to the significant women artists of Vienna at the turn of the twentieth century, each chosen for her aesthetic innovations and participation in public exhibitions. These women played important public roles as exhibiting artists, both individually...
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| Hlavní autor: | |
|---|---|
| Médium: | E-kniha Kniha |
| Jazyk: | angličtina |
| Vydáno: |
West Lafayette, Ind
Purdue University Press
2012
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| Vydání: | 1 |
| Edice: | Central European Studies |
| Témata: | |
| ISBN: | 9781557536136, 1557536139, 1612492037, 9781612492032 |
| On-line přístup: | Získat plný text |
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- Front Matter Table of Contents List of Illustrations Acknowledgments Foreword Introduction Chapter One: Writing, Erasing, Silencing: Chapter Two: Elena Luksch-Makowsky and the New Spatial Aesthetic at the Vienna Secession Chapter Three: Broncia Koller and Interiority in Public Art Exhibitions Chapter Four: Rediscovering Helene Funke: Chapter Five: Teresa Ries in the Memory Factory Chapter Six: Women as Public Artists in the Institutional Landscape Chapter Seven: The Ephemeral Museum of Women Artists Chapter Eight: 1900-1938: Appendix: Bibliography Index
- Title Page, Copyright Page Contents Illustrations Acknowledgments Foreword Introduction Writing, Erasing, Silencing: Tina Blau and the (Woman)Artist’s Biography Elena Luksch-Makowsky and the New Spatial Aesthetic at theVienna Secession Broncia Koller and Interiority in Public Art Exhibitions Rediscovering Helene Funke: The Invisible Foremother Teresa Ries in the Memory Factory Women as Public Artists in the Institutional Landscape The Ephemeral Museum of Women Artists 1900-1938: Erasure Appendix Bibliography Index
- Intro -- Title -- Copyright -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- Foreword -- Introduction -- Chapter One: Writing, Erasing, Silencing: Tina Blau and the (Woman) Artist's Biography -- Chapter Two: Elena Luksch-Makowsky and the New Spatial Aesthetic at the Vienna Secession -- Chapter Three: Broncia Koller and Interiority in Public Art Exhibitions -- Chapter Four: Rediscovering Helene Funke: The Invisible Foremother -- Chapter Five: Teresa Ries in the Memory Factory -- Chapter Six: Women as Public Artists in the Institutional Landscape -- Chapter Seven: The Ephemeral Museum of Women Artists -- Chapter Eight: 1900-1938: Erasure -- Appendix: Biographies -- Bibliography -- Index