Fashioning Immortality : Comparative Studies in Three Pindaric Odes
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| Title: | Fashioning Immortality : Comparative Studies in Three Pindaric Odes |
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| Description: | The book is an interdisciplinary study on Pythian Three, Nemean Three and Nemean Five, three Pindaric epinicians, which share a special use of the word τέκτων, ‘fashioner'. In these victory odes, the term τέκτων refers to creators of immaterial objects and occurs close to the first and/or the final words of the poems, in connection with key themes, namely: health, poetry, choral performance, movement as opposed to stasis.The study shows that structures in which Pindaric metaphors are found have parallels in Indo-European languages of ancient attestation: Old Indic and Avestan. In doing so, the book casts new light on Pindar's language and the stylistic features of his odes, which are in a relation of historical continuity with phraseological and structural characteristics of religious hymns of Ancient India and Iran. The study reveals that •tetƙ-metaphors and “•tetƙ-compositions”, i.e. metaphors and ring-compositions built by means of repetitions of “•tetƙ-words” (Vedic takṣ, Avestan taš, and Greek τέκτων), have a deep meta-thematic relevance in three linguistically related traditions and are an inherited phraseological stylistic feature common to Ancient Greek and Indo-Iranian poetic creations. |
| Authors: | Laura Massetti |
| Resource Type: | eBook. |
| Categories: | LITERARY CRITICISM / Ancient & Classical |
| Database: | eBook Collection (EBSCOhost) |
| Abstract: | The book is an interdisciplinary study on Pythian Three, Nemean Three and Nemean Five, three Pindaric epinicians, which share a special use of the word τέκτων, ‘fashioner'. In these victory odes, the term τέκτων refers to creators of immaterial objects and occurs close to the first and/or the final words of the poems, in connection with key themes, namely: health, poetry, choral performance, movement as opposed to stasis.The study shows that structures in which Pindaric metaphors are found have parallels in Indo-European languages of ancient attestation: Old Indic and Avestan. In doing so, the book casts new light on Pindar's language and the stylistic features of his odes, which are in a relation of historical continuity with phraseological and structural characteristics of religious hymns of Ancient India and Iran. The study reveals that •tetƙ-metaphors and “•tetƙ-compositions”, i.e. metaphors and ring-compositions built by means of repetitions of “•tetƙ-words” (Vedic takṣ, Avestan taš, and Greek τέκτων), have a deep meta-thematic relevance in three linguistically related traditions and are an inherited phraseological stylistic feature common to Ancient Greek and Indo-Iranian poetic creations. |
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| ISBN: | 9783119147699 9783112208243 9783112209554 |