Ambivalenz verspüren: Musik, Gewalt und der Körper in Elfriede Jelinek’s Die Klavierspielerin und Anthony Burgess’s A Clockwork Orange
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| Title: | Ambivalenz verspüren: Musik, Gewalt und der Körper in Elfriede Jelinek’s Die Klavierspielerin und Anthony Burgess’s A Clockwork Orange |
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| Authors: | Schirrmacher, Beate, Dr., 1973 |
| Source: | Visualisierungen von Gewalt Signaturen der Gewalt. :125-143 |
| Subject Terms: | Elfriede Jelinek, The Piano Teacher, Anthony Burgess, A Clockwork Orange, Violence, Music, Intermediality, Ambivalence, Performativity, Die Klavierspielerin, Gewalt, Musik, Ambivalenz, Intermedialitäte, Performativität, Litteraturvetenskap, Comparative literature |
| Description: | The article explores the relation of music and violence in Elfriede Jelinek's The Piano Teacher and Anthony Burgess's A Clockwork Orange. In highlighting the bodily, affective impact of music, music and assault, violence and discipline, become undecidable, ambivalent. This ambivalence performatively foregrounds affective impact in literature and langauge as well. |
| File Description: | electronic |
| Access URL: | https://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-80865 https://doi.org/10.3726/b13369 |
| Database: | SwePub |
Nájsť tento článok vo Web of Science | Abstract: | The article explores the relation of music and violence in Elfriede Jelinek's The Piano Teacher and Anthony Burgess's A Clockwork Orange. In highlighting the bodily, affective impact of music, music and assault, violence and discipline, become undecidable, ambivalent. This ambivalence performatively foregrounds affective impact in literature and langauge as well. |
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| ISSN: | 2566946X |