A Mediology of Cinematic Corruption: Film, Corporeality and Productive Impurity
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| Název: | A Mediology of Cinematic Corruption: Film, Corporeality and Productive Impurity |
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| Autoři: | Beugnet, Martine |
| Zdroj: | URI:https://journals.openedition.org/filmj |
| Informace o vydavateli: | Film journal SERCIA (Société d’études et de recherches sur le cinéma anglophone) |
| Rok vydání: | 2025 |
| Sbírka: | OpenEdition |
| Témata: | Experimental film, Mockumentary, Genre Cinema, Impurity, Glitch, Corporeality |
| Popis: | Starting from the corruption of micro constituents (cellulose and pixels) to that of the human figure (the filmed body or macro level of representation), and concluding with the meta-level and the aesthetic impurity of the medium of film itself, this article looks at the ways in which corruption in film manifests itself, at one and the same time, through the material and the symbolic, the micro and macro levels. Doing so, corruption emerges unexpectedly as a connecting principle that runs through the entire spectrum of film production, from the most experimental to commercial and genre cinema. What transpires, in such an outlook, is the extent of the transgressive and productive power unleashed by forms of corruption that affect film at all levels of its existence and appearance. |
| Druh dokumentu: | article in journal/newspaper |
| Jazyk: | English |
| Relation: | info:eu-repo/semantics/reference/issn/2556-4161; https://doi.org/10.4000/130uh; https://journals.openedition.org/filmj/1187; urn:handle:20.500.13089/130uh; urn:doi:10.4000/130uh |
| DOI: | 10.4000/130uh |
| Dostupnost: | https://doi.org/10.4000/130uh https://journals.openedition.org/filmj/1187 |
| Rights: | info:eu-repo/semantics/openAccess ; https://creativecommons.org/licenses/by-nc/4.0/ |
| Přístupové číslo: | edsbas.E985056E |
| Databáze: | BASE |
Nájsť tento článok vo Web of Science | Abstrakt: | Starting from the corruption of micro constituents (cellulose and pixels) to that of the human figure (the filmed body or macro level of representation), and concluding with the meta-level and the aesthetic impurity of the medium of film itself, this article looks at the ways in which corruption in film manifests itself, at one and the same time, through the material and the symbolic, the micro and macro levels. Doing so, corruption emerges unexpectedly as a connecting principle that runs through the entire spectrum of film production, from the most experimental to commercial and genre cinema. What transpires, in such an outlook, is the extent of the transgressive and productive power unleashed by forms of corruption that affect film at all levels of its existence and appearance. |
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| DOI: | 10.4000/130uh |