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The Role of the Author an the Testimonial Condition of the Novels 'No, mi general' by Irene Lozano and 'Hay algo que no es como me dicen' by Juan José Millás ; El papel del autor y la condición testimonial de las novelas 'No, mi general' de Irene Lozano y 'Hay algo que no es como me dicen' de Juan José Millás

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Titel: The Role of the Author an the Testimonial Condition of the Novels 'No, mi general' by Irene Lozano and 'Hay algo que no es como me dicen' by Juan José Millás ; El papel del autor y la condición testimonial de las novelas 'No, mi general' de Irene Lozano y 'Hay algo que no es como me dicen' de Juan José Millás
Autoren: Lilic, Milica
Quelle: Pasavento. Revista de Estudios Hispánicos; Vol. 9 No. 1 (2021): Miscellaneous; 95-116 ; Pasavento. Revista de Estudios Hispánicos; Vol. 9 Núm. 1 (2021): Miscelánea; 95-116 ; 2255-4505 ; 10.37536/preh.2021.9.1
Verlagsinformationen: Editorial Universidad de Alcalá
Publikationsjahr: 2021
Schlagwörter: Novela testimonial, valor documental, subjetivización, Zaida Cantera, Nevenka Fernández, Testimonial Novel, Documentary Value, Subjectivization
Beschreibung: This study starts from the concept of the testimonial novel and its manifestations in the current Spanish narrative, in order to analyze the documentary elements and the fictional techniques integrated into the works No, mi general by Irene Lozano and Hay algo que no es como me dicen by Juan José Millás. The change in the thematic approach presented by these novels –both tell real stories about mobbing and sexual harassment of women in the Spanish Army and Ponferrada City Council, respectively–, will allow to study their particular structure, as well as the importance of the authors’ role and their real and partial intervention in the case. In this way, the collective and denouncing nature these novels have regarding the aforementioned emerging social problem will be affirmed. Likewise, a special emphasis will be put on subjectivization, an element that proves the testimonial condition of these novels, that is, it affirms the development of a series of techniques that objectify the facts, on the one hand, and certifies the presence of the mechanisms that contribute to the narrativization of the story, on the other. Finally, two levels of narration will be distinguished: the story of the protagonist and the story of the narrator. The first one narrates a real case of harassment from the perspective of the victim, that is, it reinterprets the official truth and reconstructs reality, while the second one acquires a model dimension and appeals to a whole group of harassed women in the workplace. ; El presente trabajo parte del concepto de la novela testimonial y sus manifestaciones en la narrativa española actual, para analizar los elementos documentales y las técnicas ficcionales integradas en las obras No, mi general de Irene Lozano y Hay algo que no es como me dicen de Juan José Millás. El cambio en el enfoque temático que presentan estas novelas –ambas relatan historias reales sobre el acoso laboral y sexual a las mujeres en el Ejército español y el Ayuntamiento de Ponferrada, respectivamente–, permitirá ...
Publikationsart: article in journal/newspaper
Dateibeschreibung: application/pdf
Sprache: Spanish; Castilian
Relation: https://erevistas.publicaciones.uah.es/ojs/index.php/pasavento/article/view/1086/529; https://erevistas.publicaciones.uah.es/ojs/index.php/pasavento/article/view/1086
Verfügbarkeit: https://erevistas.publicaciones.uah.es/ojs/index.php/pasavento/article/view/1086
Rights: Derechos de autor 2021 Milica Lilic ; https://creativecommons.org/licenses/by/4.0/
Dokumentencode: edsbas.BEEF3C91
Datenbank: BASE
Beschreibung
Abstract:This study starts from the concept of the testimonial novel and its manifestations in the current Spanish narrative, in order to analyze the documentary elements and the fictional techniques integrated into the works No, mi general by Irene Lozano and Hay algo que no es como me dicen by Juan José Millás. The change in the thematic approach presented by these novels –both tell real stories about mobbing and sexual harassment of women in the Spanish Army and Ponferrada City Council, respectively–, will allow to study their particular structure, as well as the importance of the authors’ role and their real and partial intervention in the case. In this way, the collective and denouncing nature these novels have regarding the aforementioned emerging social problem will be affirmed. Likewise, a special emphasis will be put on subjectivization, an element that proves the testimonial condition of these novels, that is, it affirms the development of a series of techniques that objectify the facts, on the one hand, and certifies the presence of the mechanisms that contribute to the narrativization of the story, on the other. Finally, two levels of narration will be distinguished: the story of the protagonist and the story of the narrator. The first one narrates a real case of harassment from the perspective of the victim, that is, it reinterprets the official truth and reconstructs reality, while the second one acquires a model dimension and appeals to a whole group of harassed women in the workplace. ; El presente trabajo parte del concepto de la novela testimonial y sus manifestaciones en la narrativa española actual, para analizar los elementos documentales y las técnicas ficcionales integradas en las obras No, mi general de Irene Lozano y Hay algo que no es como me dicen de Juan José Millás. El cambio en el enfoque temático que presentan estas novelas –ambas relatan historias reales sobre el acoso laboral y sexual a las mujeres en el Ejército español y el Ayuntamiento de Ponferrada, respectivamente–, permitirá ...