null Intersex Figures in Modern Japanese Literature and Art
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| Title: | null Intersex Figures in Modern Japanese Literature and Art |
|---|---|
| Authors: | Winston, Leslie |
| Source: | MODID-8f21019023f:University of Michigan Press |
| Publisher Information: | University of Michigan Press |
| Publication Year: | 2025 |
| Subject Terms: | Literary Criticism, bisacsh:LIT000000, Literary Criticism / Asian / Japanese, bisacsh:LIT008030, Literary Criticism / LGBTQ+, bisacsh:LIT004160 |
| Description: | Intersex Figures in Modern Japanese Literature and Art explores the history of intersex or futanari figures in modern Japanese literature and culture to examine the provocative discourses that defied a sexual regime as the modern nation-state of Japan advanced its national and imperial designs. As sexologists and medical practitioners continued reinforcing categories of “male” and “female,” “normal” and “pathological,” intersex literary figures garnered attention because the perceived subject was expected to be male or female—any variation was unintelligible. Many of the same century-old tropes and societal attitudes of needing to “cure” intersex persist. At the same time the 1991 novel Ringu by Suzuki Kōji testifies to a denial of futanari subjectivity, while the 1998 Japanese horror film ( Ringu ) and its 2002 American remake ( The Ring ) erase intersex all together. Winston interrogates how the trope of the futanari is deployed for pragmatic or aesthetic purposes, thereby complicating the trajectory of the dominant sexological ideology of the time. Winston reads the figurative futanari in the works of Shimizu Shikin, Tanizaki Jun’ichirō, and Takabatake Kashō, and reveals how the artists’ different approaches to the futanari served their agendas and expressed views that challenged the dominant discourse on intersex. |
| Document Type: | book |
| File Description: | application/epub+zip |
| Language: | English |
| ISBN: | 978-0-472-90535-5 0-472-90535-X |
| DOI: | 10.3998/mpub.12532134 |
| Availability: | https://openresearchlibrary.org/viewer/de48d405-d484-4cd8-bbef-529b195c5dad https://doi.org/10.3998/mpub.12532134 |
| Rights: | Copyright held by content provider |
| Accession Number: | edsbas.49140069 |
| Database: | BASE |
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Nájsť tento článok vo Web of Science | Abstract: | Intersex Figures in Modern Japanese Literature and Art explores the history of intersex or futanari figures in modern Japanese literature and culture to examine the provocative discourses that defied a sexual regime as the modern nation-state of Japan advanced its national and imperial designs. As sexologists and medical practitioners continued reinforcing categories of “male” and “female,” “normal” and “pathological,” intersex literary figures garnered attention because the perceived subject was expected to be male or female—any variation was unintelligible. Many of the same century-old tropes and societal attitudes of needing to “cure” intersex persist. At the same time the 1991 novel Ringu by Suzuki Kōji testifies to a denial of futanari subjectivity, while the 1998 Japanese horror film ( Ringu ) and its 2002 American remake ( The Ring ) erase intersex all together. Winston interrogates how the trope of the futanari is deployed for pragmatic or aesthetic purposes, thereby complicating the trajectory of the dominant sexological ideology of the time. Winston reads the figurative futanari in the works of Shimizu Shikin, Tanizaki Jun’ichirō, and Takabatake Kashō, and reveals how the artists’ different approaches to the futanari served their agendas and expressed views that challenged the dominant discourse on intersex. |
|---|---|
| ISBN: | 9780472905355 047290535X |
| DOI: | 10.3998/mpub.12532134 |