Visual Installation as an Acting Element ; Визуальная инсталляция как элемент актерского мастерства ; Візуальна інсталяція як елемент акторської майстерності
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| Název: | Visual Installation as an Acting Element ; Визуальная инсталляция как элемент актерского мастерства ; Візуальна інсталяція як елемент акторської майстерності |
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| Autoři: | Sagan, Volodymir, Artamonov, Oleg |
| Zdroj: | Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art; Vol. 3 No. 1 (2020); 91-103 ; Вестник Киевского национального университета культуры и искусств. Серия: Сценическое искусство; Том 3 № 1 (2020); 91-103 ; Вісник Київського національного університету культури і мистецтв. Серія: Сценічне мистецтво; Том 3 № 1 (2020); 91-103 ; 2617-1236 ; 2616-759X ; 10.31866/2616-759x.3.1.2020 |
| Informace o vydavateli: | Kyiv National University of Culture and Arts |
| Rok vydání: | 2020 |
| Témata: | візуальне мистецтво, інсталяція, акторська майстерність, 792.028, 7.038.55-028.22, визуальное искусство, инсталляция, актерское мастерство, visual art, installation, acting |
| Popis: | The purpose of the research is to analyze the using forms features of visual installation as an important acting component. Research methodology. To achieve the goal, comparative methods have been used as a means of comparing the forms of visual installation and modeling features of the elements by which these forms have been structured. The scientific novelty lies in the fact that the role and values of the forms of visual installation in the processes of acting education have been characterized, and the dynamics of the techniques development based on the use of visual installation as an element of acting is also considered. Conclusions. Visual installation is an element of acting in the process of creating a stage image. Outstanding directors, actors and world-class teachers spoke about the problems of visual installation. The education of calisthenics expressiveness in professional actors is an indispensable component of the professional training of a modern actor and a necessary means of stage embodiment of an artistic image. The presence of various training methods makes it possible to widely use the visual installation in the actor’s work on his role in various directorial paradigms representing the modern theater art development. The considered methods of using visual installation in the actor’s work reveal certain trends, the essence of which lies in the search for additional means of expression in traditional acting techniques of a gestural and behavioral nature, an attempt to connect them with the artistic tasks embedded in the “theater text”, and to deepen its semantic vector interpretation with the help of the actor and the central figure of the stage action. That is why the increasing importance of multi polarity in the professional training of those who participate in the creation of the play. We are talking about the need to master various visual installation techniques not only at the acting level, but also at the director's level. The general role of these techniques is to enrich the stage ... |
| Druh dokumentu: | article in journal/newspaper |
| Popis souboru: | application/pdf |
| Jazyk: | Ukrainian |
| Relation: | http://artonscene.knukim.edu.ua/article/view/204361/204727; http://artonscene.knukim.edu.ua/article/view/204361 |
| DOI: | 10.31866/2616-759x.3.1.2020.204361 |
| Dostupnost: | http://artonscene.knukim.edu.ua/article/view/204361 https://doi.org/10.31866/2616-759x.3.1.2020.204361 |
| Rights: | Авторське право (c) 2020 Володимир Саган, Олег Артамонов ; https://creativecommons.org/licenses/by/4.0 |
| Přístupové číslo: | edsbas.3E83751B |
| Databáze: | BASE |
Nájsť tento článok vo Web of Science | Abstrakt: | The purpose of the research is to analyze the using forms features of visual installation as an important acting component. Research methodology. To achieve the goal, comparative methods have been used as a means of comparing the forms of visual installation and modeling features of the elements by which these forms have been structured. The scientific novelty lies in the fact that the role and values of the forms of visual installation in the processes of acting education have been characterized, and the dynamics of the techniques development based on the use of visual installation as an element of acting is also considered. Conclusions. Visual installation is an element of acting in the process of creating a stage image. Outstanding directors, actors and world-class teachers spoke about the problems of visual installation. The education of calisthenics expressiveness in professional actors is an indispensable component of the professional training of a modern actor and a necessary means of stage embodiment of an artistic image. The presence of various training methods makes it possible to widely use the visual installation in the actor’s work on his role in various directorial paradigms representing the modern theater art development. The considered methods of using visual installation in the actor’s work reveal certain trends, the essence of which lies in the search for additional means of expression in traditional acting techniques of a gestural and behavioral nature, an attempt to connect them with the artistic tasks embedded in the “theater text”, and to deepen its semantic vector interpretation with the help of the actor and the central figure of the stage action. That is why the increasing importance of multi polarity in the professional training of those who participate in the creation of the play. We are talking about the need to master various visual installation techniques not only at the acting level, but also at the director's level. The general role of these techniques is to enrich the stage ... |
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| DOI: | 10.31866/2616-759x.3.1.2020.204361 |