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Contemporary Art in the Newspaper El País: Double Analysis of the contents

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Titel: Contemporary Art in the Newspaper El País: Double Analysis of the contents
Autoren: Fernández-Costa O'Dogherty, Rubén, Calvo Gutiérrez, Elvira, Sotelo González, Joaquín
Weitere Verfasser: Universidad Complutense de Madrid
Verlagsinformationen: VisualCOM Scientific Publication, 2025.
Publikationsjahr: 2025
Schlagwörter: Periódico, Estudios, Software studies, Arte s. XIX-XX, 56 Ciencias Jurídicas y Derecho, Data Science, Arte contemporáneo, Automatizados, Ciencias Sociales, Periodismo, 7.01, Contemporary Arts, Newspaper, Stempel, Cuantitativo, El País, Phyton, 5506.02-1 Historia del Arte. Siglos XIX - XX, Quantitative, Webscrapping, Ciencia de datos
Beschreibung: This study confirms the consistency of a dual repeated analysis of contemporary art content in El País newspaper, employing, first, the Stempel methodology and, second, its automation through web scraping techniques using Python programming. Pending the development of fully autonomous AI systems that will enable real-time monitoring of information system content, both approaches confirm that—marking a century since the traditionally accepted birth of contemporary art (Duchamp, 2017)—there is limited representation of current art in an iconic Spanish media outlet for a statistically typical year, compared to coverage in the Sports section and other cultural categories such as Film and Series. Additionally, the study reveals a hyperbolic and materialistic vocabulary in the representation of contemporary art.
Publikationsart: Article
Dateibeschreibung: application/pdf
Sprache: English
Zugangs-URL: https://hdl.handle.net/20.500.14352/122062
Rights: CC BY ND
Dokumentencode: edsair.od.......126..cdfe235b4988dbd13fbb16fd97d8cd20
Datenbank: OpenAIRE
Beschreibung
Abstract:This study confirms the consistency of a dual repeated analysis of contemporary art content in El País newspaper, employing, first, the Stempel methodology and, second, its automation through web scraping techniques using Python programming. Pending the development of fully autonomous AI systems that will enable real-time monitoring of information system content, both approaches confirm that—marking a century since the traditionally accepted birth of contemporary art (Duchamp, 2017)—there is limited representation of current art in an iconic Spanish media outlet for a statistically typical year, compared to coverage in the Sports section and other cultural categories such as Film and Series. Additionally, the study reveals a hyperbolic and materialistic vocabulary in the representation of contemporary art.