A GYMNASION ASSEMBLAGE LOST AT SEA? THE STATUES FROM THE ANTIKYTHERA SHIPWRECK RECONSIDERED

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Bibliographic Details
Title: A GYMNASION ASSEMBLAGE LOST AT SEA? THE STATUES FROM THE ANTIKYTHERA SHIPWRECK RECONSIDERED
Authors: Brian Martens
Contributors: University of St Andrews.School of Classics
Source: The Annual of the British School at Athens. :1-53
Publisher Information: Cambridge University Press (CUP), 2025.
Publication Year: 2025
Subject Terms: T-NDAS
Description: The Antikythera shipwreck provides a rare chronological anchor in the history of Greek sculpture. The cargo, a massive haul of more than four-dozen bronze and marble statues, in addition to amphorae and portable luxury goods, was lost at sea c. 70–50 BCE, possibly later, along the north-east coast of the island of Antikythera. Previous research on the sculptural assemblage from the wreck has focused on the style and iconographic heritage of individual statues. This article examines the statuary as a gathered whole to isolate trends in material, size, and subject matter. The results suggest a main setting where some, maybe all, of the statues might have originally been displayed: the gymnasion. The statues were probably obtained through plunder or extortion, not normal commercial activity. The study concludes by considering where the statues might have been set up once they reached their presumed destination in Italy. It is shown that the statues were most appropriate for display in a lavish public building in Rome.
Document Type: Article
File Description: application/pdf
Language: English
ISSN: 2045-2403
0068-2454
DOI: 10.1017/s006824542510021x
Access URL: https://hdl.handle.net/10023/32857
Rights: CC BY
Accession Number: edsair.doi.dedup.....a1c8dfdbb47fdf18bbde9b89688243fe
Database: OpenAIRE
Description
Abstract:The Antikythera shipwreck provides a rare chronological anchor in the history of Greek sculpture. The cargo, a massive haul of more than four-dozen bronze and marble statues, in addition to amphorae and portable luxury goods, was lost at sea c. 70–50 BCE, possibly later, along the north-east coast of the island of Antikythera. Previous research on the sculptural assemblage from the wreck has focused on the style and iconographic heritage of individual statues. This article examines the statuary as a gathered whole to isolate trends in material, size, and subject matter. The results suggest a main setting where some, maybe all, of the statues might have originally been displayed: the gymnasion. The statues were probably obtained through plunder or extortion, not normal commercial activity. The study concludes by considering where the statues might have been set up once they reached their presumed destination in Italy. It is shown that the statues were most appropriate for display in a lavish public building in Rome.
ISSN:20452403
00682454
DOI:10.1017/s006824542510021x