World Heritage and the Concept of Environment — Ethical and Aesthetic Perspectives

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Bibliographic Details
Title: World Heritage and the Concept of Environment — Ethical and Aesthetic Perspectives
Authors: Kuletin Ćulafić, Irena
Source: Thematic Proceedings of the International Scientific Conference Educational Programs — The Future of World Cultural and Natural Heritage ISBN: 9788679243492
Knjiga apstrakata : znanje, komunikacija, prezentacija : 50 godina /1972-2022/ Konvencije o zaštiti svetske kulturne i prirodne baštine = Book of abstracts : knowledge, kommunication, presentation : 50 years /1972–2022/ of the Convention on the protection of world cultural and natural heritage / Međunarodna naučna konferencija Obrazovni programi-budućnost svetske kulturne i prirodne baštine, 8-9. decembar 2022. = International scientific conference Educational programs – the future of world cultural and natural heritage, december 8-9
Thematic conference proceedings : 50 years /1972–2022/ of the Convention concerning the protection of world cultural and natural heritage / International scientific conference Educational programs-the future of world cultural and natural heritage
Publisher Information: University of Belgrade, Faculty of Architecture, 2023.
Publication Year: 2023
Subject Terms: World Heritage, etika i estetika održivosti, materijalne i nematerijalne vrednosti, ethics and aesthetics of sustainability, Svetska baština, World heritage, the notion of environment, concept of environment, pojam okruženja/životne sredine, tangible and intangible values
Description: The need for an integrative relation in the protection and preservation of heritage viewed through the concept of sustainable development has placed man, nature, culture and society through the concept of the environment in a comprehensive relationship in which each category of world heritage (cultural and natural) is considered through the synthesis of material and immaterial values, whereby sustainable development represents a unifying paradigm of ethical and aesthetic approach in understanding the science of heritage. The concept of environment is not just a scenography for one of the categories of heritage, but it contains ethical and aesthetic values that classify it as a world heritage. the paper draws special attention to the complex relationships between material (physical) and immaterial (“living”, dynamic) heritage. Architectural heritage is equally material and immaterial, where the aesthetic experience of architecture is a key point of sustainable access to heritage seen through the strengthening of cultural tourism activities, tracing cultural routes, involvement of the local community, improvement of creative industries, sustainable economic development, etc. In order to actively and productively preserve the tangible and intangible heritage of the world. On the other hand, ethics opens up issues of goodwill and freedom, problems of duty and purpose, the relationship between morals and actions in the world heritage environment. all of the above points to the necessity of re-examining the heritage preservation policy, bearing in mind the distinct influences and consequences of the modern era.
Potreba za integrativnim odnosom u zaštiti i očuvanju nasleđa sagledana kroz koncept održivog razvoja postavila je čoveka, prirodu, kulturu i društvo kroz pojam okruženja u celovit odnos u kom se svaka kategorija svetskog nasleđa (kulturnog: spomenici, spomeničke celine, spomenička područja i kulturni predeli; i prirodnog: spomenici prirode, geološke i fiziografske formacije i znamenita mesta prirode) razmatra kroz sintezu materijalnih i nematerijalnih vrednosti, pri čemu održivi razvoj predstavlja objedinjujuću paradigmu etičkog i estetskog pristupa u shvatanju nauke o nasleđu. Pojam okruženja nije samo scenografija za neku od kategorija nasleđa, već ono sadrži etičke i estetske vrednosti koje ga svrstavaju u svetsku baštinu. U radu se posebno skreće pažnja na složene veze koje vladaju između materijalnog (fizičkog) i nematerijalnog („živog“, dinamičkog) nasleđa. Arhitektonska baština je podjednako materijalna i nematerijalna, pri čemu estetsko iskustvo arhitekture predstavlja ključnu tačku održivog pristupanasleđu viđenog kroz jačanje aktivnosti kulturnog turizma, trasiranja kulturnih ruta, uključivanja lokalne zajednice, unapređenja kreativnih industrija, održivog ekonomskog razvoja, i dr. u cilju aktivnog i produktivnog očuvanja materijalnog i nematerijalnog nasleđa sveta. Sa druge strane etika otvara pitanja dobre volje i slobode, probleme dužnosti i svrhe, odnos moralnog u odnosu na djelovanje u okruženju svetske baštine. Sve navedeno ukazuje na neophodnost u preispitivanju politka o očuvanju nasleđa imajući u vidu izrazite uticaje i posledice savremenog doba.
Document Type: Part of book or chapter of book
Conference object
Language: Serbian
DOI: 10.18485/arh_whc50.2023.ch16
Access URL: http://raf.arh.bg.ac.rs/bitstream/id/6588/bitstream_6588.pdf
https://raf.arh.bg.ac.rs/handle/123456789/1883
https://hdl.handle.net/21.15107/rcub_raf_1883
https://hdl.handle.net/21.15107/rcub_raf_2867
http://raf.arh.bg.ac.rs/bitstream/id/10402/bitstream_10402.pdf
https://raf.arh.bg.ac.rs/handle/123456789/2867
Accession Number: edsair.doi.dedup.....7d78f6c4e9010adcfa41d9568dd9fb46
Database: OpenAIRE
Description
Abstract:The need for an integrative relation in the protection and preservation of heritage viewed through the concept of sustainable development has placed man, nature, culture and society through the concept of the environment in a comprehensive relationship in which each category of world heritage (cultural and natural) is considered through the synthesis of material and immaterial values, whereby sustainable development represents a unifying paradigm of ethical and aesthetic approach in understanding the science of heritage. The concept of environment is not just a scenography for one of the categories of heritage, but it contains ethical and aesthetic values that classify it as a world heritage. the paper draws special attention to the complex relationships between material (physical) and immaterial (“living”, dynamic) heritage. Architectural heritage is equally material and immaterial, where the aesthetic experience of architecture is a key point of sustainable access to heritage seen through the strengthening of cultural tourism activities, tracing cultural routes, involvement of the local community, improvement of creative industries, sustainable economic development, etc. In order to actively and productively preserve the tangible and intangible heritage of the world. On the other hand, ethics opens up issues of goodwill and freedom, problems of duty and purpose, the relationship between morals and actions in the world heritage environment. all of the above points to the necessity of re-examining the heritage preservation policy, bearing in mind the distinct influences and consequences of the modern era.<br />Potreba za integrativnim odnosom u zaštiti i očuvanju nasleđa sagledana kroz koncept održivog razvoja postavila je čoveka, prirodu, kulturu i društvo kroz pojam okruženja u celovit odnos u kom se svaka kategorija svetskog nasleđa (kulturnog: spomenici, spomeničke celine, spomenička područja i kulturni predeli; i prirodnog: spomenici prirode, geološke i fiziografske formacije i znamenita mesta prirode) razmatra kroz sintezu materijalnih i nematerijalnih vrednosti, pri čemu održivi razvoj predstavlja objedinjujuću paradigmu etičkog i estetskog pristupa u shvatanju nauke o nasleđu. Pojam okruženja nije samo scenografija za neku od kategorija nasleđa, već ono sadrži etičke i estetske vrednosti koje ga svrstavaju u svetsku baštinu. U radu se posebno skreće pažnja na složene veze koje vladaju između materijalnog (fizičkog) i nematerijalnog („živog“, dinamičkog) nasleđa. Arhitektonska baština je podjednako materijalna i nematerijalna, pri čemu estetsko iskustvo arhitekture predstavlja ključnu tačku održivog pristupanasleđu viđenog kroz jačanje aktivnosti kulturnog turizma, trasiranja kulturnih ruta, uključivanja lokalne zajednice, unapređenja kreativnih industrija, održivog ekonomskog razvoja, i dr. u cilju aktivnog i produktivnog očuvanja materijalnog i nematerijalnog nasleđa sveta. Sa druge strane etika otvara pitanja dobre volje i slobode, probleme dužnosti i svrhe, odnos moralnog u odnosu na djelovanje u okruženju svetske baštine. Sve navedeno ukazuje na neophodnost u preispitivanju politka o očuvanju nasleđa imajući u vidu izrazite uticaje i posledice savremenog doba.
DOI:10.18485/arh_whc50.2023.ch16