The Strike Imagined: The Atlantic and Interpretive Voyages of Robert Koehler's Painting The Strike.

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Bibliographische Detailangaben
Titel: The Strike Imagined: The Atlantic and Interpretive Voyages of Robert Koehler's Painting The Strike.
Autoren: Phelps, Christopher
Quelle: Journal of American History; Dec2011, Vol. 98 Issue 3, p670-697, 28p
Schlagwörter: STRIKES & lockouts in art, WORKING class in art, SOCIAL conflict in art, RAILROAD Strike, U.S., 1877, STRIKES & lockouts, HISTORY of strikes & lockouts, NEW left (Politics), HISTORY
Geografische Kategorien: UNITED States
Reviews & Products: HARPER'S Weekly (Periodical)
People: KOEHLER, Robert, BAXANDALL, Lee
Abstract: The article discusses the history and interpretation of the painting "The Strike" by German-American painter Robert Koehler, adopting an Atlantic perspective. It comments on the publication of an image of the painting in 1886 in the periodical "Harper’s Weekly" and examines its depictions of the working class and of class struggle. The author notes that the painting was meant to call to mind the U.S. strike of 1877 and considers other contemporary strikes. He also discusses the rediscovery of the painting by radical Lee Baxandall in 1969 and explores its relationship to the American New Left.
Datenbank: Complementary Index
Beschreibung
Abstract:The article discusses the history and interpretation of the painting "The Strike" by German-American painter Robert Koehler, adopting an Atlantic perspective. It comments on the publication of an image of the painting in 1886 in the periodical "Harper’s Weekly" and examines its depictions of the working class and of class struggle. The author notes that the painting was meant to call to mind the U.S. strike of 1877 and considers other contemporary strikes. He also discusses the rediscovery of the painting by radical Lee Baxandall in 1969 and explores its relationship to the American New Left.
ISSN:00218723
DOI:10.1093/jahist/jar522