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TELEVIZIJSKE ODDAJE IN PRISPEVKI O RAZSTAVAH MUZEJA NEEVROPSKIH KULTUR GORIČANE.

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Bibliographic Details
Title: TELEVIZIJSKE ODDAJE IN PRISPEVKI O RAZSTAVAH MUZEJA NEEVROPSKIH KULTUR GORIČANE. (Slovenian)
Alternate Title: Television Programmes and their Segments on the Exhibitions of the Museum of NonEuropean Cultures in Goričane. (English)
Authors: Furlan, Nadja Valentinčič
Source: Glasnik Slovenskega Etnološkega Društva; 2024, Vol. 64 Issue 2, p28-42, 15p
Subject Terms: POSTCOLONIALISM, MUSEUM exhibits, SOCIAL forces, TELEVISION programmers & programming, INDIGENOUS peoples
Abstract (English): The author analyses selected programmes of Television Ljubljana and their segments about the exhibitions of the Museum of Non-European Cultures Goričane, comparing their narratives to the discourses in the exhibition catalogues. She researches what they reveal about the understanding of the cultures of indigenous peoples and nations of the Non-Aligned Movement, about museological approaches of that time, and of social forces of the post-colonial period. The inclusive approaches of Boris Kuhar and Pavla Štrukelj are interpreted in the context of Non-Alignment and as part of the process of museum decolonization. [ABSTRACT FROM AUTHOR]
Abstract (Slovenian): Avtorica v članku analizira izbrane oddaje in prispevke Televizije Ljubljana o razstavah Muzeja neevropskih kultur Goričane in njihove narative primerja z diskurzi v razstavnih katalogih. Razišče, kaj razkrivajo o razumevanju kultur staroselskih ljudstev in narodov gibanja neuvrščenih, o tedanjih muzeoloških pristopih in družbenih silnicah pokolonialnega obdobja. Inkluzivne pristope Borisa Kuharja in Pavle Štrukelj interpretira v kontekstu neuvrščenosti in kot del procesa dekolonizacije muzejev. [ABSTRACT FROM AUTHOR]
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Abstract:The author analyses selected programmes of Television Ljubljana and their segments about the exhibitions of the Museum of Non-European Cultures Goričane, comparing their narratives to the discourses in the exhibition catalogues. She researches what they reveal about the understanding of the cultures of indigenous peoples and nations of the Non-Aligned Movement, about museological approaches of that time, and of social forces of the post-colonial period. The inclusive approaches of Boris Kuhar and Pavla Štrukelj are interpreted in the context of Non-Alignment and as part of the process of museum decolonization. [ABSTRACT FROM AUTHOR]
ISSN:03512908