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ART IN PARTNERSHIP WITH HUMAN AND ARTIFICIAL INTELLIGENCE: CREATIVITY AND ALGORITHM.

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Bibliographic Details
Title: ART IN PARTNERSHIP WITH HUMAN AND ARTIFICIAL INTELLIGENCE: CREATIVITY AND ALGORITHM.
Alternate Title: İNSAN VE YAPAY ZEKA ORTAKLIĞINDA SANAT: YARATICILIK VE ALGORİTMA. (Turkish)
Authors: ÖZTÜRK, Özgül, BALABAN, Yüksel
Source: Anadolu University Journal of Art & Design / Sanat & Tasarım; haz2024, Vol. 14 Issue 1, p335-352, 18p
Subject Terms: ARTIFICIAL intelligence, HUMAN beings in art, COMPUTER art, ART movements, QUALITATIVE research, SELF-expression, ALGORITHMS
Geographic Terms: ISTANBUL (Turkey)
Abstract (English): Art has been the most creative form of humans’ self-expression since time immemorial and has taken many different forms over the years. Furthermore, digitalization in all aspects of life has foreshadowed radical changes in art in accordance with the opportunities provided by technology. In this study, the possibility of transferring all the characteristics of an artist defining his art to artificial intelligence (AI) has been discussed, and whether the re-evaluation of art production with the developments in AI and the artist’s being alive for the continuity of his art are essential or not has been examined. With the distinguished group study carried out in this scope, it has been aimed to explore beyond traditional approaches, putting people at the centre of the creative process, and has greatly benefited from the expertise of three contemporary artists working at the meeting point of art and AI in Istanbul, Turkey. In this context, the in-depth interview method as a qualitative research method has been conducted in the study, the opinions of the interviewed artists on the topic have been evaluated, and the related questions of the arguments have been analysed. All things considered, two conclusions have been drawn: an artist’s work or a particular section of an art movement might be reproduced using possibilities created by digital art, and given the current opportunities and conditions of this age, AI systems are unlikely to replace artists and generate art instead of them. [ABSTRACT FROM AUTHOR]
Abstract (Turkish): Eski çağlardan bu yana, insanın kendisini ifade etme yöntemlerinin en yaratıcı hali olan sanat; yıllar içerisinde çok farklı şekillere bürünmüş, teknolojinin getirdiği imkanlar doğrultusunda, hayatın her alanında yaşanan dijitalleşme sanatta da köklü değişimlerin habercisi olmuştur. Bu çalışma kapsamında, bir sanatçının sanatını tanımlayan tüm özelliklerinin yapay zekaya aktarılma olasılığı tartışılmış, yapay zeka alanındaki gelişmelerle sanat üretiminin yeniden değerlendirilmesi ve sanatçının sanatının devamlılığı için hayatta olmasının gerekli olup olmadığı sorgulanmıştır. Bu kapsamda gerçekleştirilen bu seçkin grup çalışmasıyla birlikte, yaratıcı süreçte insanı merkeze alan geleneksel yaklaşımların ötesini keşfetmek amaçlanmış ve İstanbul’da sanat ile yapay zekanın buluşma noktasında çalışan üç çağdaş sanatçının uzmanlığından yararlanılmıştır. Bu bağlamda, çalışmada nitel bir araştırma yöntemi olan derinlemesine görüşme yöntemine başvurularak, görüşme yapılan sanatçıların konuya ilişkin görüşleri değerlendirilmiş ve söz konusu sorulara ışık tutulmaya çalışılmıştır. Dijital sanatın yarattığı imkanlarla bir sanatçının eserinin ya da bir sanat akımının belirli bir kesitinin yeniden üretilebileceği ancak içinde bulunulan çağın imkan ve koşulları göz önüne alındığında, yapay zeka sistemlerinin sanatçının yerine geçebilme ve onun yerine sanat yapabilme ihtimalinin bulunmadığı sonucuna varılmıştır. [ABSTRACT FROM AUTHOR]
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Database: Complementary Index
Description
Abstract:Art has been the most creative form of humans’ self-expression since time immemorial and has taken many different forms over the years. Furthermore, digitalization in all aspects of life has foreshadowed radical changes in art in accordance with the opportunities provided by technology. In this study, the possibility of transferring all the characteristics of an artist defining his art to artificial intelligence (AI) has been discussed, and whether the re-evaluation of art production with the developments in AI and the artist’s being alive for the continuity of his art are essential or not has been examined. With the distinguished group study carried out in this scope, it has been aimed to explore beyond traditional approaches, putting people at the centre of the creative process, and has greatly benefited from the expertise of three contemporary artists working at the meeting point of art and AI in Istanbul, Turkey. In this context, the in-depth interview method as a qualitative research method has been conducted in the study, the opinions of the interviewed artists on the topic have been evaluated, and the related questions of the arguments have been analysed. All things considered, two conclusions have been drawn: an artist’s work or a particular section of an art movement might be reproduced using possibilities created by digital art, and given the current opportunities and conditions of this age, AI systems are unlikely to replace artists and generate art instead of them. [ABSTRACT FROM AUTHOR]
ISSN:21467692
DOI:10.20488/sanattasarim.1506086