HOW TO COMPOSITE AN ANIMATED FILM.

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Bibliographische Detailangaben
Titel: HOW TO COMPOSITE AN ANIMATED FILM.
Quelle: 3D World; 2024, Issue 307, p56-59, 4p, 10 Cartoon or Caricatures
Schlagwörter: STOP motion animated films, LIVE action/animation films, PHOTOGRAPHY, POST-production in motion pictures, COMPUTER graphics
Abstract: The article discusses the complex process of compositing shots for the stop-motion feature "No Dogs or Italians Allowed," incorporating live-action, stop-motion & photography elements. Topics include the challenges of merging different cinematic disciplines & animation styles; conducting pre-shooting compositing tests for better planning; and the workflow from capturing shots in the right format to the final visual effects (VFX) touches, like color correction, grading & post-production effects.
Datenbank: Complementary Index
Beschreibung
Abstract:The article discusses the complex process of compositing shots for the stop-motion feature "No Dogs or Italians Allowed," incorporating live-action, stop-motion & photography elements. Topics include the challenges of merging different cinematic disciplines & animation styles; conducting pre-shooting compositing tests for better planning; and the workflow from capturing shots in the right format to the final visual effects (VFX) touches, like color correction, grading & post-production effects.
ISSN:14704382