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Interpretation in the era of (forced) virtualization of our being.

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Název: Interpretation in the era of (forced) virtualization of our being.
Autoři: Makky, Lukáš
Zdroj: Výtvarná Výchova; 2021, Vol. 61 Issue 1/2, p30-44, 15p
Témata: VIRTUAL machine systems, AESTHETICS, VIRTUAL reality, 21ST century art, SOCIAL distancing
Abstrakt: The main issue of this paper is the question of interaction with art, analysed within the conditions of the ongoing pandemic. It can be assumed that our reality has trully changed into a virtual one, with all the benefits and all the negatives resulting from it. Mainly, direct interaction with art is almost unreal. In this text, it will be argued that the primary and first step in the process of understanding art is the aesthetic attitude, closely connected with aesthetic experience and aesthetic interpretation. This triad of notions can be understood as the universal approach of aesthetic interaction with art, and this has not changed even in the era of “[social] distancing”. The core difficulty lies in the nature of contemporary art, mediated through virtual space, and changed in accordance with the chosen medium. Even if the mentioned triad (aesthetic attitude, aesthetic experience, and aesthetic interaction) is functional and gives us some answer about art, the problem lies in the (emotional, existential) disposition of recipients. This paper will try to review the current situation and attempt to formulate some possibilities regarding interaction with art from a distance in the process of the reception of artwork. [ABSTRACT FROM AUTHOR]
Copyright of Výtvarná Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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  Label: Title
  Group: Ti
  Data: Interpretation in the era of (forced) virtualization of our being.
– Name: Author
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  Data: <searchLink fieldCode="AR" term="%22Makky%2C+Lukáš%22">Makky, Lukáš</searchLink>
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  Data: Výtvarná Výchova; 2021, Vol. 61 Issue 1/2, p30-44, 15p
– Name: Subject
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  Data: <searchLink fieldCode="DE" term="%22VIRTUAL+machine+systems%22">VIRTUAL machine systems</searchLink><br /><searchLink fieldCode="DE" term="%22AESTHETICS%22">AESTHETICS</searchLink><br /><searchLink fieldCode="DE" term="%22VIRTUAL+reality%22">VIRTUAL reality</searchLink><br /><searchLink fieldCode="DE" term="%2221ST+century+art%22">21ST century art</searchLink><br /><searchLink fieldCode="DE" term="%22SOCIAL+distancing%22">SOCIAL distancing</searchLink>
– Name: Abstract
  Label: Abstract
  Group: Ab
  Data: The main issue of this paper is the question of interaction with art, analysed within the conditions of the ongoing pandemic. It can be assumed that our reality has trully changed into a virtual one, with all the benefits and all the negatives resulting from it. Mainly, direct interaction with art is almost unreal. In this text, it will be argued that the primary and first step in the process of understanding art is the aesthetic attitude, closely connected with aesthetic experience and aesthetic interpretation. This triad of notions can be understood as the universal approach of aesthetic interaction with art, and this has not changed even in the era of “[social] distancing”. The core difficulty lies in the nature of contemporary art, mediated through virtual space, and changed in accordance with the chosen medium. Even if the mentioned triad (aesthetic attitude, aesthetic experience, and aesthetic interaction) is functional and gives us some answer about art, the problem lies in the (emotional, existential) disposition of recipients. This paper will try to review the current situation and attempt to formulate some possibilities regarding interaction with art from a distance in the process of the reception of artwork. [ABSTRACT FROM AUTHOR]
– Name: Abstract
  Label:
  Group: Ab
  Data: <i>Copyright of Výtvarná Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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      – Code: eng
        Text: English
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      – SubjectFull: VIRTUAL machine systems
        Type: general
      – SubjectFull: AESTHETICS
        Type: general
      – SubjectFull: VIRTUAL reality
        Type: general
      – SubjectFull: 21ST century art
        Type: general
      – SubjectFull: SOCIAL distancing
        Type: general
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      – TitleFull: Interpretation in the era of (forced) virtualization of our being.
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              Text: 2021
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              Y: 2021
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