Bibliographische Detailangaben
| Titel: |
Applying conservation ethics to the examination and treatment of software- and computer-based art. |
| Autoren: |
Engel, Deena, Phillips, Joanna |
| Quelle: |
Journal of the American Institute for Conservation; Aug2019, Vol. 58 Issue 3, p180-195, 16p |
| Schlagwörter: |
INTERDISCIPLINARY approach to knowledge, ART conservators, THERAPEUTICS, ART materials, ART conservation & restoration, MODERN art |
| Firma/Körperschaft: |
SOLOMON R. Guggenheim Museum, NEW York University |
| Abstract (English): |
As part of the Solomon R. Guggenheim Museum's ongoing initiative Conserving Computer-based Art (CCBA) and the collaborative research between the museum and the Department of Computer Science of New York University's Courant Institute for Mathematical Sciences, Guggenheim media art conservators and NYU computer scientists have collaborated since 2014 to examine, document, and treat software- and computer-based artworks from the Guggenheim collection. Based on this interdisciplinary work and guided by the objective to inform the care for computer-based art within the field of contemporary art conservation, the authors propose new examination, documentation, and treatment practices for software- and computer-based art that accommodate established conservation ethics and practice guidelines. [ABSTRACT FROM AUTHOR] |
| Abstract (Spanish): |
Como parte de la iniciativa en curso Conservación del arte creado en computadora (CCBA – siglas del nombre en inglés Conserving Computer-based Art) del Solomon R. Guggenheim Museum y la investigación colaborativa entre el museo y el Departamento de Ciencias de la Computación del Instituto Courant de Ciencias Matemáticas de la Universidad de Nueva York, los conservadores de arte de medios del Guggenheim y los científicos de informática de la NYU han colaborado desde 2014 para examinar, documentar y tratar obras de arte basadas en software y computadoras de la colección Guggenheim. Apoyados en este trabajo interdisciplinario y guiados por el objetivo de informar el cuidado del arte creado en computadora dentro del campo de la conservación del arte contemporáneo, los autores proponen nuevos exámenes, documentación y prácticas de tratamiento para el arte basado en software y computadora que se adapten a las pautas y ética de conservación establecidas. Traducción: Amparo Rueda. [ABSTRACT FROM AUTHOR] |
| Abstract (French): |
Dans le cadre de l'initiative en cours du Solomon R. Guggenheim Museum intitulée « Conserving Computer-based ART (CCBA) » et de la recherche collaborative entre le musée et le Département de sciences informatiques du Courant Institute for Mathematical Sciences de la New York University (NYU), les restaurateurs d'art médiatique du Guggenheim et les informaticiens de la NYU ont collaboré depuis 2014 pour examiner, documenter, et traiter des œuvres d'art numérique et d'art logiciel dans la collection du Guggenheim. Basées sur ce projet interdisciplinaire et guidées par l'objectif d'informer sur le soin des œuvres d'art numérique dans le domaine de la conservation - restauration de l'art contemporain, les auteures proposent de nouvelles méthodes d'examen, de documentation, et de traitement pour les œuvres d'art numérique qui respectent les normes d'éthique et de pratique en conservation. Traduit par Eric Henderson. [ABSTRACT FROM AUTHOR] |
| Abstract (Portuguese): |
Como parte da iniciativa contínua do Conserving Computer-based Art - CCBA (Conservação de obras de arte digitais) do Museu Solomon R. Guggenheim e a pesquisa colaborativa entre o museu e o Departamento de Ciências da Computação do Instituto Courant para Ciências Matemáticas da Universidade de Nova York, conservadores de arte e mídia do Guggenheim e cientistas da computação da NYU colaboram desde 2014 para examinar, documentar e tratar obras de arte digitais baseadas em softwares e computadores da coleção Guggenheim. Com base nesse trabalho interdisciplinar e orientado pelo objetivo de informar o cuidado com a arte digital no campo da conservação da arte contemporânea, os autores propõem novas práticas de exame, documentação e tratamento da arte criada com uso de software e computadores que acomodam as diretrizes praticadas e a ética estabelecida na conservação. Traduzido por Millar Schisler. [ABSTRACT FROM AUTHOR] |
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