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LLAMANDO AL FEMINISMO: ANTROPOLOGÍA FEMINISTA PARA MUSEOS ETNOLÓGICOS.

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Názov: LLAMANDO AL FEMINISMO: ANTROPOLOGÍA FEMINISTA PARA MUSEOS ETNOLÓGICOS.
Alternate Title: Calling for Feminism: Feminist Anthropology and Museums.
Autori: Braña Rey, Fátima1 fatimab@uvigo.gal, Lojo Bárcena, Aida aida.lojo.barcena@gmail.com
Zdroj: Futuro del Pasado: Revista Electrónica de Historia. 2025, Issue 16, p161-192. 32p.
Predmety: *GROUP process, *FEMINISM, *FEMINISTS, *INTERSUBJECTIVITY, *INTERSECTIONALITY
Abstract (English): This text is the result of a working group initially formed between the Museo Etnolóxico de Ribadavia and the area of Social Anthropology of the University of Vigo, with the aim of conducting a feminist revision of classic texts that are frequently used as a basis for ethnographic museographies in Galicia. This project allowed us to develop a personal and group learning process that we deemed worth continuing and voluntarily, as our interest exceeded the established programme. As a result of a bibliographical review and the authors' professional and personal experience, and understanding feminism as a theory and as political practice, with this article our aim is to present some questions that we have learned throughout the process. On the one hand, it is essential to clear up any confusion that might limit the possibilities of realising critical representations in museums. For this reason, a large part of this text has been devoted to clarifying terminology. On the other hand, one of the main concerns was to establish a formula of practical intent. This line has been named «calling for feminism» and has the purpose of developing a way of working that remains attentive to categorisations, intersectionality, and intersubjectivity. [ABSTRACT FROM AUTHOR]
Abstract (Spanish): Este texto resulta de un grupo de trabajo constituido inicialmente entre el Museo Etnolóxico de Ribadavia y el área de Antropología social de la Universidade de Vigo, con el objetivo de realizar una revisión feminista de textos clásicos que son frecuentemente utilizados como base para las museografías etnográficas en Galicia. Ese proyecto nos permitió realizar un proceso de aprendizaje personal y grupal que decidimos debía ser continuado y voluntario, pues nuestro interés excedió la realización del programa establecido. Producto de una revisión bibliográfica y la experiencia profesional y personal de las autoras, y entendiendo el feminismo como teoría y práctica política, con este artículo queremos presentar algunas cuestiones que hemos aprendido a lo largo del proceso. Por un lado, nos parecía fundamental despejar confusiones que pudiesen limitar las posibilidades de representaciones críticas en los museos. Por ello, dedicamos una buena parte de este texto a aclarar terminología. Por otro lado, una de las cuestiones que más nos preocupaba era establecer una fórmula de intención práctica. Esta línea es la que denominamos «llamar al feminismo» y se desarrolla para estar atentas a las categorizaciones, la interseccionalidad y la intersubjetividad como forma de trabajo. Así, pensamos que puede ser de utilidad a otras personas que están a punto de revisar un trabajo bajo la antropología feminista o bien que quieran revisarse como trabajadoras feministas en los museos. [ABSTRACT FROM AUTHOR]
Databáza: Academic Search Index
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Abstrakt:This text is the result of a working group initially formed between the Museo Etnolóxico de Ribadavia and the area of Social Anthropology of the University of Vigo, with the aim of conducting a feminist revision of classic texts that are frequently used as a basis for ethnographic museographies in Galicia. This project allowed us to develop a personal and group learning process that we deemed worth continuing and voluntarily, as our interest exceeded the established programme. As a result of a bibliographical review and the authors' professional and personal experience, and understanding feminism as a theory and as political practice, with this article our aim is to present some questions that we have learned throughout the process. On the one hand, it is essential to clear up any confusion that might limit the possibilities of realising critical representations in museums. For this reason, a large part of this text has been devoted to clarifying terminology. On the other hand, one of the main concerns was to establish a formula of practical intent. This line has been named «calling for feminism» and has the purpose of developing a way of working that remains attentive to categorisations, intersectionality, and intersubjectivity. [ABSTRACT FROM AUTHOR]
ISSN:19899289
DOI:10.14201/fdp.31787