A multimodal study of smalt preservation and degradation on the painting "Woman doing a Libation or Artemisia" from an anonymous painter of the Fontainebleau School

The blue pigment smalt, a synthetic potash glass tinted with cobalt, was widely used between the sixteenth and the eighteenth centuries. As part of a study on the alteration of smalt and the reconstitution of its original color, the painting: Woman doing a Libation or Artemisia (Fontainebleau school...

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Bibliographic Details
Published in:European physical journal plus Vol. 138; no. 2
Main Authors: de Mecquenem, Clément, Eveno, Myriam, Alfeld, Matthias, Pillay, Ruven, Laval, Eric, Ravaud, Elisabeth, Reiche, Ina
Format: Journal Article
Language:English
Published: Springer 28.02.2023
Subjects:
Chemical Sciences
Humanities and Social Sciences
ISSN:2190-5444, 2190-5444
Online Access:Get full text
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Summary:The blue pigment smalt, a synthetic potash glass tinted with cobalt, was widely used between the sixteenth and the eighteenth centuries. As part of a study on the alteration of smalt and the reconstitution of its original color, the painting: Woman doing a Libation or Artemisia (Fontainebleau school, 1570) was examined in which the artist used
ISSN:2190-5444
2190-5444
DOI:10.1140/epjp/s13360-023-03799-4