Unheard Voices Twenty-one short stories in Balochi with English translations. Collected and edited by Carina Jahani, Nagoman Baloch and Taj Baloch (Góshán Nakaptagén Tawár : Balóchiay bist o yakk ázmánk gón Engrézi rajánkán. Nazz árók: Káriná Jaháni, Nágomán Balóch o Táj Balóch) Twenty-one short stories in Balochi with English translations. Collected and edited by Carina Jahani, Nagoman Baloch and Taj Baloch (Góshán Nakaptagén Tawár : Balóchiay bist o yakk ázmánk gón Engrézi rajánkán. Nazz árók: Káriná Jaháni, Nágomán Balóch o Táj Balóch)

This book presents twenty one Balochi short stories in Balochi-Latin and Balochi-Arabic script, as well as English translations and introductions of the authors in English. The stories have been edited to correspond to the grammatical and orthographic standards adopted by the Balochi Language Projec...

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Hlavní autori: Jahani, Carina, Baloch, Nagoman, Baloch, Taj
Médium: E-kniha Kniha
Jazyk:English
Vydavateľské údaje: Uppsala Uppsala University Publications 2022
Edícia:Studia Iranica Upsaliensia
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ISBN:9151314045, 9789151314044
ISSN:1100-326X
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Abstract This book presents twenty one Balochi short stories in Balochi-Latin and Balochi-Arabic script, as well as English translations and introductions of the authors in English. The stories have been edited to correspond to the grammatical and orthographic standards adopted by the Balochi Language Project and are arranged according to three themes: Human Relations, Man and his Environment, and Exile. The writing of short stories in Balochi began in the early 1950s and was mainly limited to Eastern (Pakistani) Balochistan. During the 1950s and 1960s a number of new writers of fiction emerged. The themes of stories by these early authors were often of a local character. Most of the stories are plot-centred and chronologically structured. Often an omniscient narrator tells the story. The writers frequently want to convey a message and depict injustices in society, and in doing so they indirectly call for social and political reforms. From the 1970s onward, a new generation of authors appeared on the scene. The writers belonging to the second generation are, as a rule, better educated than those of the first generation. They developed the short story genre by trying out new techniques and bringing in more varied and sometimes less locally anchored themes. Since the 1990s, a large number of new authors have emerged. New trends in Balochi short story writing include their increased readability, simplification of the language, separation of the characters in the stories from the author’s own ideology and a weaker urge to convey a message to the reader, as well as the treatment of taboo subjects that have not previously been addressed in Balochi literature. The growing number of women writers has also added a female voice, where women’s issues are no longer discussed only in a male-oriented discourse. The overwhelming dominance of writers from Pakistan is worth noting. Of the twenty-one authors represented in this anthology, only one comes from the western side of Balochistan, i.e. Iran. It is also noteworthy that several of the younger writers have had to leave their country and now live in exile.
AbstractList This book presents twenty one Balochi short stories in Balochi-Latin and Balochi-Arabic script, as well as English translations and introductions of the authors in English. The stories have been edited to correspond to the grammatical and orthographic standards adopted by the Balochi Language Project and are arranged according to three themes: Human Relations, Man and his Environment, and Exile. The writing of short stories in Balochi began in the early 1950s and was mainly limited to Eastern (Pakistani) Balochistan. During the 1950s and 1960s a number of new writers of fiction emerged. The themes of stories by these early authors were often of a local character. Most of the stories are plot-centred and chronologically structured. Often an omniscient narrator tells the story. The writers frequently want to convey a message and depict injustices in society, and in doing so they indirectly call for social and political reforms.  From the 1970s onward, a new generation of authors appeared on the scene. The writers belonging to the second generation are, as a rule, better educated than those of the first generation. They developed the short story genre by trying out new techniques and bringing in more varied and sometimes less locally anchored themes. Since the 1990s, a large number of new authors have emerged. New trends in Balochi short story writing include their increased readability, simplification of the language, separation of the characters in the stories from the author’s own ideology and a weaker urge to convey a message to the reader, as well as the treatment of taboo subjects that have not previously been addressed in Balochi literature. The growing number of women writers has also added a female voice, where women’s issues are no longer discussed only in a male-oriented discourse.  The overwhelming dominance of writers from Pakistan is worth noting. Of the twenty-one authors represented in this anthology, only one comes from the western side of Balochistan, i.e. Iran. It is also noteworthy that several of the younger writers have had to leave their country and now live in exile.  
This book presents twenty one Balochi short stories in Balochi-Latin and Balochi-Arabic script, as well as English translations and introductions of the authors in English. The stories have been edited to correspond to the grammatical and orthographic standards adopted by the Balochi Language Project and are arranged according to three themes: Human Relations, Man and his Environment, and Exile. The writing of short stories in Balochi began in the early 1950s and was mainly limited to Eastern (Pakistani) Balochistan. During the 1950s and 1960s a number of new writers of fiction emerged. The themes of stories by these early authors were often of a local character. Most of the stories are plot-centred and chronologically structured. Often an omniscient narrator tells the story. The writers frequently want to convey a message and depict injustices in society, and in doing so they indirectly call for social and political reforms. From the 1970s onward, a new generation of authors appeared on the scene. The writers belonging to the second generation are, as a rule, better educated than those of the first generation. They developed the short story genre by trying out new techniques and bringing in more varied and sometimes less locally anchored themes. Since the 1990s, a large number of new authors have emerged. New trends in Balochi short story writing include their increased readability, simplification of the language, separation of the characters in the stories from the author’s own ideology and a weaker urge to convey a message to the reader, as well as the treatment of taboo subjects that have not previously been addressed in Balochi literature. The growing number of women writers has also added a female voice, where women’s issues are no longer discussed only in a male-oriented discourse. The overwhelming dominance of writers from Pakistan is worth noting. Of the twenty-one authors represented in this anthology, only one comes from the western side of Balochistan, i.e. Iran. It is also noteworthy that several of the younger writers have had to leave their country and now live in exile.
Author Baloch, Taj
Jahani, Carina
Baloch, Nagoman
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Snippet This book presents twenty one Balochi short stories in Balochi-Latin and Balochi-Arabic script, as well as English translations and introductions of the...
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SubjectTerms Anthologies: general
Baloch writers
Balochi
Balochi literature
Biography and non-fiction prose
Biography, Literature and Literary studies
exile literature
fiction
Fiction and Related items
human relations
Indic, East Indo-European and Dravidian languages
Indo-Iranian languages
Iranian Languages
Iranska språk
Language and Linguistics
Language qualifiers
Linguistics
man and his environment
short story
Translation and interpretation
Subtitle Twenty-one short stories in Balochi with English translations. Collected and edited by Carina Jahani, Nagoman Baloch and Taj Baloch (Góshán Nakaptagén Tawár : Balóchiay bist o yakk ázmánk gón Engrézi rajánkán. Nazz árók: Káriná Jaháni, Nágomán Balóch o Táj Balóch)
Title Unheard Voices Twenty-one short stories in Balochi with English translations. Collected and edited by Carina Jahani, Nagoman Baloch and Taj Baloch (Góshán Nakaptagén Tawár : Balóchiay bist o yakk ázmánk gón Engrézi rajánkán. Nazz árók: Káriná Jaháni, Nágomán Balóch o Táj Balóch)
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