Rotoscoping
Master what it takes to make your rotoscoping and digital painting blend seamlessly into each shot. Through illustrious four color presentation, the book features step-by-step instruction on the artistic techniques of rotoscoping and digital painting with lessons on: *Articulate mattes *Digital pain...
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| Hlavní autor: | |
|---|---|
| Médium: | E-kniha |
| Jazyk: | angličtina |
| Vydáno: |
Oxford
Taylor and Francis
10.09.2012
Taylor & Francis Group Routledge |
| Vydání: | 1 |
| Témata: | |
| ISBN: | 9780240817040, 9781138474253, 1138474258, 0240817044 |
| On-line přístup: | Získat plný text |
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Obsah:
- Cover -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgments -- Introduction -- 1: Origins of Roto -- 1.1 Origins of Roto -- 1.2 Modern Roto -- 2: Defining the Terms -- 3: Rotoscoping Software -- 3.1 Roto Tools -- 3.2 Keyboard Shortcuts -- 3.2.1 Creating Spline/Type -- 3.2.2 Editing Controls -- 3.2.3 Timeline Controls -- 3.2.4 Transformation (Object or Sub-Object) -- 3.2.5 Viewer Controls -- 3.3 Silhouette -- 3.3.1 User Interface -- 3.4 After Effects -- 3.5 Mocha -- 4: Pre-Shop Warm-up -- 4.1 Establish Specifics -- 4.1.1 Shot Length -- 4.1.2 Define the Focus Object -- 4.1.3 Matte Usage -- 4.2 Edge and Shape -- 4.2.1 Multiple Shapes -- 4.2.2 Repeating Shapes -- 4.3 Positive Space -- 4.4 Motion Paths -- 4.5 Keying -- 4.6 Review -- 5: Key Framing Techniques -- 5.1 Timeline Key Framing -- 5.1.1 Bifurcation -- 5.1.2 Incremental Key Frames -- 5.2 Motion-Based Roto -- 5.3 Approaching the Shot -- 5.4 Review -- 5.5 Relevant CD Files -- 6: Creating Splines -- 6.1 Organizing the Comp -- 6.2 Review -- 7: Edge Consistency -- 7.1 Transitioning Between Shapes -- 7.2 Review -- 8: Object Mode Transforms -- 8.1 Pivot Points -- 8.1.1 Bounding Boxes in After Effects -- 8.2 Individual Points -- 8.2.1 Referencing Point Location -- 8.3 Review -- 9: Interpolation and Linear Movement -- 9.1 Key Frame Placement and Types -- 9.2 Review -- 10: Blur -- 10.1 Motion Blur -- 10.2 Transitioning Between Shapes with Motion Blur -- 10.3 Review -- 10.4 Relevant CD Files -- 11: Checking Your Mattes -- 11.1 Jitter -- 11.2 Review -- 12: Tracking and Roto -- 12.1 Tracking and Scale -- 12.2 Tracking and Rotation -- 12.3 Multiple Transforms -- 12.4 Corner Pinning -- 12.5 Averaging Tracks -- 12.6 Stabilizing Footage -- 12.7 Review -- 12.8 Relevant CD Files -- 13: Roto and the Human Figure -- 13.1 Remember Your Anatomy -- 13.1.1 Isolating Extremities -- 13.1.2 Hands
- 13.2 Joints -- 13.2.1 Overlap -- 13.2.2 Fixer Shapes -- 13.3 Review -- 13.4 Relevant CD Files -- 14: Faces and Heads -- 14.1 Review -- 14.2 Relevant CD Files -- 15: Hair (or: Bald People are Great) -- 15.1 Base Shapes -- 15.2 Standouts -- 15.3 Minimum Level of Detail -- 15.4 Motion Paths and Motion Blur -- 15.5 Review -- 15.6 Relevant CD Files -- 16: Human Movement -- 16.1 Big Human Movements -- 16.2 Subtle Human Movement -- 16.3 Tracking and the Human Figure -- 16.4 Review -- 16.5 Relevant CD Files -- 17: Clothing -- 17.1 Shape Breakdown -- 17.2 Consistent Point Placement -- 17.3 Secondary Motion -- 17.4 Review -- 17.5 Relevant CD Files -- 18: Keeping Focus and Getting Work -- 18.1 Bad Habits -- 18.2 Estimating a Job -- 18.3 Pacing Yourself -- 18.4 Getting (and Keeping) a Job -- Index