Dancing off Patriarchy and Orientalism in Moroccan Pop Singer Manal's Song Niya: A Tribute to Moroccan Chikhates

My previous work examined how pop artists in the Arab region are using self‐orientalism in their visual artworks to articulate a decolonial critique that aims to subvert the orientalist discourse through an inversion and a re‐appropriation of the colonial gaze (Tazi, forthcoming). In other words, to...

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Vydané v:	CyberOrient Ročník 19; číslo 1; s. 65 - 82
Hlavný autor:	Tazi, Maha
Médium:	Journal Article
Jazyk:	English
Vydavateľské údaje:	01.10.2025
Predmet:	feminism Pop Art post‐colonialism Self‐orientalism
ISSN:	1804-3194, 1804-3194
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