Afterword: Whither Orality? Echoes of an Event in World Literature

Julien reports that she first encountered Soundjata ou l'épopée mandingue, a renowned West African oral epic recounting the rise of the 13th-century Mali Empire, in the early 1970s. Originally performed in Mandinka by griot Djeli Mamadou Kouyaté, it was transcribed and translated by Guinean his...

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Vydané v:Research in African literatures Ročník 55; číslo 3; s. 104 - 108
Hlavný autor: Julien, Eileen
Médium: Journal Article
Jazyk:English
Vydavateľské údaje: Bloomington Indiana University Press 22.09.2025
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ISSN:0034-5210, 1527-2044, 1527-2044
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Shrnutí:Julien reports that she first encountered Soundjata ou l'épopée mandingue, a renowned West African oral epic recounting the rise of the 13th-century Mali Empire, in the early 1970s. Originally performed in Mandinka by griot Djeli Mamadou Kouyaté, it was transcribed and translated by Guinean historian Djibril Tamsir Niane, then published in French in 1960 and later in English in 1965. This publication challenged European claims that Africa lacked epic traditions, marking a turning point in the recognition of African literature. Beyond its political and cultural significance--linked to decolonization, négritude, and the First World Festival of Black Arts--the epic highlights themes of destiny and transformation. Given the particular creative mode of the Soundiata epic--ongoing addition, alteration, and erasure--it is easy to see why the concept of a singular, stable "author" is limited and can be problematic, for "meaning" is not a one-way street. The dynamic of literary creation involves at the very least an author or speaker and a reader or interacting audience whose diverse voices and viewpoints join in, contest, challenge, add new perspectives, signal different contexts, express doubt, approve, or encourage the narrator.
Bibliografia:SourceType-Scholarly Journals-1
ObjectType-Commentary-1
content type line 14
ISSN:0034-5210
1527-2044
1527-2044
DOI:10.2979/ral.00075