'De la Rey' and the Revival of 'Boer Heritage': Nostalgia in the Post-apartheid Afrikaner Culture Industry

An Afrikaans popular song about a general of the Anglo-Boer War, 'De la Rey' was received with great enthusiasm among white Afrikaans-speakers in 2007, but also generated much controversy about the possible implications of re-ethnicisation among Afrikaners. What did this manifestation of p...

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Vydané v:	Journal of southern African studies Ročník 37; číslo 4; s. 763 - 779
Hlavní autori:	van der Waal, Kees (C.S.), Robins, Steven
Médium:	Journal Article
Jazyk:	English
Vydavateľské údaje:	Oxford Taylor & Francis Group 01.12.2011 Routledge, Taylor & Francis Group Taylor & Francis Ltd
Predmet:	African culture African history Afrikaaners Afrikaans language Afrikaners Apartheid Boundaries Business Celebrations Cultural heritage Cultural identity Cultural preservation Cultural property Ethnic Identity Ethnicity Germanic Languages Heroes Identity Identity Politics Industry Language culture relationship Language history Language use Legitimacy Markets Music Nostalgia Political identity Political parties Politics Popular culture Popular songs Public Sphere Race Reactions to Political Threat and Upheaval Resilience South Africa Southern African cultural groups Threat Transformation Trucks War White people Whites
ISSN:	0305-7070, 1465-3893
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Shrnutí:	An Afrikaans popular song about a general of the Anglo-Boer War, 'De la Rey' was received with great enthusiasm among white Afrikaans-speakers in 2007, but also generated much controversy about the possible implications of re-ethnicisation among Afrikaners. What did this manifestation of popular culture say about the resilience of Afrikaner identity and the impact of the New South Africa? This article examines the ways in which this song entered into the post-apartheid public sphere, and investigates how De la Rey revivalism can be related to Afrikaners' experience of post-apartheid transformation. The 'De la Rey song' was created for a market that was ripe for a nostalgic celebration of a revamped but less party-political Afrikaans ethnic identity. The song soon became a rallying point for Afrikaners who perceived themselves to be under threat from the ANC government. The heroic figure of De la Rey was invoked as a saviour who would be able to lead the threatened Afrikaners symbolically to a safe place. The song tapped into the profoundly unsettled identity politics of many white Afrikaans-speakers whose continued commitment to a racially exclusivist identity was no longer politically acceptable. The song succeeded because it was a muted affirmation of white Afrikaner identity and helped to reassert the imagined boundaries of white Afrikanerdom while speaking the legitimate language of history and cultural heritage.
Bibliografia:	ObjectType-Article-1 SourceType-Scholarly Journals-1 ObjectType-Feature-2 content type line 14 content type line 23 ObjectType-Article-2 ObjectType-Feature-1
ISSN:	0305-7070 1465-3893
DOI:	10.1080/03057070.2011.617219