'De la Rey' and the Revival of 'Boer Heritage': Nostalgia in the Post-apartheid Afrikaner Culture Industry

An Afrikaans popular song about a general of the Anglo-Boer War, 'De la Rey' was received with great enthusiasm among white Afrikaans-speakers in 2007, but also generated much controversy about the possible implications of re-ethnicisation among Afrikaners. What did this manifestation of p...

Celý popis

Uložené v:

Podrobná bibliografia
Vydané v:	Journal of southern African studies Ročník 37; číslo 4; s. 763 - 779
Hlavní autori:	van der Waal, Kees (C.S.), Robins, Steven
Médium:	Journal Article
Jazyk:	English
Vydavateľské údaje:	Oxford Taylor & Francis Group 01.12.2011 Routledge, Taylor & Francis Group Taylor & Francis Ltd
Predmet:	African culture African history Afrikaaners Afrikaans language Afrikaners Apartheid Boundaries Business Celebrations Cultural heritage Cultural identity Cultural preservation Cultural property Ethnic Identity Ethnicity Germanic Languages Heroes Identity Identity Politics Industry Language culture relationship Language history Language use Legitimacy Markets Music Nostalgia Political identity Political parties Politics Popular culture Popular songs Public Sphere Race Reactions to Political Threat and Upheaval Resilience South Africa Southern African cultural groups Threat Transformation Trucks War White people Whites
ISSN:	0305-7070, 1465-3893
On-line prístup:	Získať plný text
Tagy:	Pridať tag Žiadne tagy, Buďte prvý, kto otaguje tento záznam!

Abstract	An Afrikaans popular song about a general of the Anglo-Boer War, 'De la Rey' was received with great enthusiasm among white Afrikaans-speakers in 2007, but also generated much controversy about the possible implications of re-ethnicisation among Afrikaners. What did this manifestation of popular culture say about the resilience of Afrikaner identity and the impact of the New South Africa? This article examines the ways in which this song entered into the post-apartheid public sphere, and investigates how De la Rey revivalism can be related to Afrikaners' experience of post-apartheid transformation. The 'De la Rey song' was created for a market that was ripe for a nostalgic celebration of a revamped but less party-political Afrikaans ethnic identity. The song soon became a rallying point for Afrikaners who perceived themselves to be under threat from the ANC government. The heroic figure of De la Rey was invoked as a saviour who would be able to lead the threatened Afrikaners symbolically to a safe place. The song tapped into the profoundly unsettled identity politics of many white Afrikaans-speakers whose continued commitment to a racially exclusivist identity was no longer politically acceptable. The song succeeded because it was a muted affirmation of white Afrikaner identity and helped to reassert the imagined boundaries of white Afrikanerdom while speaking the legitimate language of history and cultural heritage.
AbstractList	An Afrikaans popular song about a general of the Anglo-Boer War, "De la Rey" was received with great enthusiasm among white Afrikaans-speakers in 2007, but also generated much controversy about the possible implications of re-ethnicisation among Afrikaners. What did this manifestation of popular culture say about the resilience of Afrikaner identity and the impact of the New South Africa? This article examines the ways in which this song entered into the post-apartheid public sphere, and investigates how De la Rey revivalism can be related to Afrikaners' experience of post-apartheid transformation. The "De la Rey song" was created for a market that was ripe for a nostalgic celebration of a revamped but less party-political Afrikaans ethnic identity. The song soon became a rallying point for Afrikaners who perceived themselves to be under threat from the ANC government. The heroic figure of De la Rey was invoked as a saviour who would be able to lead the threatened Afrikaners symbolically to a safe place. The song tapped into the profoundly unsettled identity politics of many white Afrikaans-speakers whose continued commitment to a racially exclusivist identity was no longer politically acceptable. The song succeeded because it was a muted affirmation of white Afrikaner identity and helped to reassert the imagined boundaries of white Afrikanerdom while speaking the legitimate language of history and cultural heritage. Adapted from the source document. An Afrikaans popular song about a general of the Anglo-Boer War, 'De la Rey' was received with great enthusiasm among white Afrikaans-speakers in 2007, but also generated much controversy about the possible implications of re-ethnicisation among Afrikaners. What did this manifestation of popular culture say about the resilience of Afrikaner identity and the impact of the New South Africa? This article examines the ways in which this song entered into the post-apartheid public sphere, and investigates how De la Rey revivalism can be related to Afrikaners' experience of post-apartheid transformation. The 'De la Rey song' was created for a market that was ripe for a nostalgic celebration of a revamped but less party-political Afrikaans ethnic identity. The song soon became a rallying point for Afrikaners who perceived themselves to be under threat from the ANC government. The heroic figure of De la Rey was invoked as a saviour who would be able to lead the threatened Afrikaners symbolically to a safe place. The song tapped into the profoundly unsettled identity politics of many white Afrikaans-speakers whose continued commitment to a racially exclusivist identity was no longer politically acceptable. The song succeeded because it was a muted affirmation of white Afrikaner identity and helped to reassert the imagined boundaries of white Afrikanerdom while speaking the legitimate language of history and cultural heritage. [PUBLICATION ABSTRACT] An Afrikaans popular song about a general of the Anglo-Boer War, 'De la Rey' was received with great enthusiasm among white Afrikaans-speakers in 2007, but also generated much controversy about the possible implications of re-ethnicisation among Afrikaners. What did this manifestation of popular culture say about the resilience of Afrikaner identity and the impact of the New South Africa? This article examines the ways in which this song entered into the post-apartheid public sphere, and investigates how De la Rey revivalism can be related to Afrikaners' experience of post-apartheid transformation. The 'De la Rey song' was created for a market that was ripe for a nostalgic celebration of a revamped but less party-political Afrikaans ethnic identity. The song soon became a rallying point for Afrikaners who perceived themselves to be under threat from the ANC government. The heroic figure of De la Rey was invoked as a saviour who would be able to lead the threatened Afrikaners symbolically to a safe place. The song tapped into the profoundly unsettled identity politics of many white Afrikaans-speakers whose continued commitment to a racially exclusivist identity was no longer politically acceptable. The song succeeded because it was a muted affirmation of white Afrikaner identity and helped to reassert the imagined boundaries of white Afrikanerdom while speaking the legitimate language of history and cultural heritage. An Afrikaans popular song about a general of the Anglo-Boer War, 'De la Rey' was received with great enthusiasm among white Afrikaans-speakers in 2007, but also generated much controversy about the possible implications of re-ethnicisation among Afrikaners. What did this manifestation of popular culture say about the resilience of Afrikaner identity and the impact of the New South Africa? This article examines the ways in which this song entered into the post-apartheid public sphere, and investigates how De la Rey revivalism can be related to Afrikaners' experience of post-apartheid transformation. The 'De la Rey song' was created for a market that was ripe for a nostalgic celebration of a revamped but less party-political Afrikaans ethnic identity. The song soon became a rallying point for Afrikaners who perceived themselves to be under threat from the ANC government. The heroic figure of De la Rey was invoked as a saviour who would be able to lead the threatened Afrikaners symbolically to a safe place. The song tapped into the profoundly unsettled identity politics of many white Afrikaans-speakers whose continued commitment to a racially exclusivist identity was no longer politically acceptable. The song succeeded because it was a muted affirmation of white Afrikaner identity and helped to reassert the imagined boundaries of white Afrikanerdom while speaking the legitimate language of history and cultural heritage. (Author abstract) An Afrikaans popular song about a general of the Anglo-Boer War, 'De la Rey' was received with great enthusiasm among white Afrikaans-speakers in 2007, but also generated much controversy about the possible implications of re-ethnicisation among Afrikaners. What did this manifestation of popular culture say about the resilience of Afrikaner identity and the impact of the New South Africa? This article examines the ways in which this song entered into the post-apartheid public sphere, and investigates how De la Rey revivalism can be related to Afrikaners' experience of post-apartheid transformation. The 'De la Rey song' was created for a market that was ripe for a nostalgic celebration of a revamped but less party-political Afrikaans ethnic identity. The song soon became a rallying point for Afrikaners who perceived themselves to be under threat from the ANC government. The heroic figure of De la Rey was invoked as a saviour who would be able to lead the threatened Afrikaners symbolically to a safe place. The song tapped into the profoundly unsettled identity politics of many white Afrikaans-speakers whose continued commitment to a racially exclusivist identity was no longer politically acceptable. The song succeeded because it was a muted affirmation of white Afrikaner identity and helped to reassert the imagined boundaries of white Afrikanerdom while speaking the legitimate language of history and cultural heritage. Reprinted by permission of Carfax Publishing, Taylor & Francis Ltd.
Author	Robins, Steven van der Waal, Kees (C.S.)
Author_xml	– sequence: 1 givenname: Kees (C.S.) surname: van der Waal fullname: van der Waal, Kees (C.S.) organization: Department of Sociology & Social Anthropology , Stellenbosch University – sequence: 2 givenname: Steven surname: Robins fullname: Robins, Steven organization: Department of Sociology & Social Anthropology , Stellenbosch University
BookMark	eNqNklFvFCEQx4mpidfqN9CE-LK-7AkL7EJfTL2qbdKoMfpMOHa2cnLLCWzNfftyrvrQh9onMszvPzMM_2N0NIYREHpOyZISSV4TRkRHOrJsCKXLlnYNVY_QgvJW1EwqdoQWB6Q-ME_QcUobQogSnC_QpjoH7A3-AvsKm7HH-TuU4MbdGI_DgKu3ASK-gOiyuYbqFH8MKRt_7Qx242_4c7mozc7EErgenw3R_TBjEa0mn6cI-HLsp5Tj_il6PBif4Nmf8wR9e__u6-qivvr04XJ1dlVbLrtcQy8bCRKsZNYKKlkjlBkUa-ha8YZC03cCmFXlLWsOFhiwfi0oY-vWACecnaBqrruL4ecEKeutSxa8L1OFKWnVspYJxVQhX91LUsJaUtC2fQDasLJj2vCHoYXjtKAv76CbMMWxbEcrKjvZCd4V6HSGbAwpRRi0LZ-RXRhzNM6XevrgAv3XBfrgAj27oIj5HfEuuq2J-__JXsyyTcoh_tOUkbmQrSj5N3PejUOIW_MrRN_rbPY-xCGa0bqk2b0dbgHIH9AL
CODEN	JSASDC
CitedBy_id	crossref_primary_10_1080_02533952_2016_1259817 crossref_primary_10_1080_14725843_2013_838895 crossref_primary_10_1080_15283488_2018_1523727 crossref_primary_10_1080_09589236_2025_2555448 crossref_primary_10_1177_000203971204702_304 crossref_primary_10_1080_00020184_2014_998064 crossref_primary_10_1080_02533952_2013_852371 crossref_primary_10_1080_02500167_2013_788532 crossref_primary_10_1177_1750698017754248 crossref_primary_10_1080_00380253_2018_1506689 crossref_primary_10_1080_10253866_2013_776306 crossref_primary_10_1080_03086534_2022_2084942 crossref_primary_10_1177_000203971304800108 crossref_primary_10_4000_lhomme_23949 crossref_primary_10_1007_s43151_021_00039_3 crossref_primary_10_1080_01419870_2017_1413202 crossref_primary_10_1080_17533171_2019_1541842 crossref_primary_10_4000_1422g
ContentType	Journal Article
Copyright	Copyright The Editorial Board of the Journal of Southern African Studies 2011 2011 The Editorial Board of the Journal of Southern African Studies Copyright Taylor & Francis Ltd. 2011
Copyright_xml	– notice: Copyright The Editorial Board of the Journal of Southern African Studies 2011 – notice: 2011 The Editorial Board of the Journal of Southern African Studies – notice: Copyright Taylor & Francis Ltd. 2011
DBID	AAYXX CITATION 7UB 8BJ C18 FQK JBE 7U4 BHHNA DWI WZK
DOI	10.1080/03057070.2011.617219
DatabaseName	CrossRef Worldwide Political Science Abstracts International Bibliography of the Social Sciences (IBSS) Humanities Index International Bibliography of the Social Sciences International Bibliography of the Social Sciences Sociological Abstracts (pre-2017) Sociological Abstracts Sociological Abstracts Sociological Abstracts (Ovid)
DatabaseTitle	CrossRef Worldwide Political Science Abstracts International Bibliography of the Social Sciences (IBSS) Black Studies Center British Humanities Index (BHI) Sociological Abstracts (pre-2017) Sociological Abstracts
DatabaseTitleList	Sociological Abstracts (pre-2017) Worldwide Political Science Abstracts British Humanities Index (BHI) Worldwide Political Science Abstracts International Bibliography of the Social Sciences (IBSS)
DeliveryMethod	fulltext_linktorsrc
Discipline	History & Archaeology Social Sciences (General) Music Business
EISSN	1465-3893
EndPage	779
ExternalDocumentID	2574569781 10_1080_03057070_2011_617219 41345865 617219
GroupedDBID	-DZ -~X .4H .7I .QK 0BK 0R~ 29L 2AX 2DF 3LD 4.4 5GY 5VS AAGDL AAGZJ AAHIA AAMFJ AAMIU AAPUL AATTQ AAZMC AAZSN ABAWQ ABBHK ABCCY ABDBF ABFIM ABJNI ABLIJ ABLJU ABPEM ABRLO ABTAI ABTBA ABUFD ABXSQ ABXUL ABXYU ABZLS ACBXI ACGFO ACGFS ACHJO ACHQT ACTIO ACTOA ACUHS ACZ ADAHI ADCVX ADKVQ ADLRE ADMHG ADULT ADXPE AECIN AEFOU AEGXH AEISY AEKEX AEOZL AEPSL AEUPB AEYOC AEZRU AFDVO AFFNX AFRVT AGDLA AGMYJ AGRBW AGTJU AHDZW AIAGR AIJEM AIYEW AJWEG AKBVH ALMA_UNASSIGNED_HOLDINGS ALQZU ANHLU APXXL AQTUD AVBZW AWYRJ BCU BEJHT BLEHA BMOTO BOHLJ CAG CCCUG COF CQ1 CS3 DGFLZ DKSSO DU5 EAP EAS EBS EHI EIS EJD EMK EPL ESO ESX EWH E~B E~C F5P G-F GINNV GTTXZ H13 HF~ HMHOC HZ~ IPNFZ IPSME J.O JAAYA JAC JBMMH JBZCM JENOY JHFFW JKQEH JLEZI JLXEF JPL JST KYCEM LCRDH M4Z MVM NA5 NZ. O9- P2P RIG RNANH ROSJB RSYQP S-F SA0 STATR TASJS TBQAZ TDBHL TEP TFH TFL TFW TKY TN5 TNTFI TRJHH TUROJ UT5 UT9 VAE ~01 ~45 ~S~ 0-V 07R 4B7 8G5 AAWJA AAYXX ABUHQ ABUWG ABVRJ ACEPJ ACGXJ ACJMY ACQEJ ACQJQ AEJUW AERJK AFFHD AFKRA AGEZS AIMQZ AJSDN AJYTZ ALHMI ALSFF ALSLI ARALO ASTSZ AZQEC BENPR BPHCQ BQOBL BSCPQ BXTYR C5N CCPQU CITATION C~Q DGGLO DPSOV DWQXO DXFCP EEBKY EFUWD FWULA FXEWX GNUQQ GUQSH HGD HVGLF JIVBP KC- LIQON LJTGL M2L M2O PHGZM PHGZT PMKZF PQHSC PQQKQ PROAC PRQQA QZRMI TAHPX TBL UC5 UXAQP V4V 7UB 8BJ C18 FQK JBE 7U4 BHHNA DWI WZK
ID	FETCH-LOGICAL-c487t-ed828e8ec83cc5183259af9321b9421e2d75e3c9070b4ece3e3db5133b6ae4043
IEDL.DBID	TFW
ISICitedReferencesCount	26
ISICitedReferencesURI	http://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=Summon&SrcAuth=ProQuest&DestLinkType=CitingArticles&DestApp=WOS_CPL&KeyUT=000299208800008&url=https%3A%2F%2Fcvtisr.summon.serialssolutions.com%2F%23%21%2Fsearch%3Fho%3Df%26include.ft.matches%3Dt%26l%3Dnull%26q%3D
ISSN	0305-7070
IngestDate	Wed Oct 01 13:55:14 EDT 2025 Sun Nov 09 14:32:55 EST 2025 Tue Oct 21 14:08:23 EDT 2025 Thu Oct 02 14:12:51 EDT 2025 Mon Nov 10 22:01:29 EST 2025 Tue Nov 18 22:29:51 EST 2025 Sat Nov 29 05:46:45 EST 2025 Sun Nov 30 11:50:40 EST 2025 Mon Oct 20 23:44:31 EDT 2025
IsPeerReviewed	true
IsScholarly	true
Issue	4
Language	English
LinkModel	DirectLink
MergedId	FETCHMERGED-LOGICAL-c487t-ed828e8ec83cc5183259af9321b9421e2d75e3c9070b4ece3e3db5133b6ae4043
Notes	ObjectType-Article-1 SourceType-Scholarly Journals-1 ObjectType-Feature-2 content type line 14 content type line 23 ObjectType-Article-2 ObjectType-Feature-1
PQID	918787547
PQPubID	49107
PageCount	17
ParticipantIDs	crossref_citationtrail_10_1080_03057070_2011_617219 proquest_miscellaneous_1023030124 proquest_miscellaneous_1036035966 proquest_miscellaneous_963635939 crossref_primary_10_1080_03057070_2011_617219 proquest_journals_918787547 informaworld_taylorfrancis_310_1080_03057070_2011_617219 proquest_miscellaneous_1023024341 jstor_primary_41345865
PublicationCentury	2000
PublicationDate	2011-12-00
PublicationDateYYYYMMDD	2011-12-01
PublicationDate_xml	– month: 12 year: 2011 text: 2011-12-00
PublicationDecade	2010
PublicationPlace	Oxford
PublicationPlace_xml	– name: Oxford
PublicationTitle	Journal of southern African studies
PublicationYear	2011
Publisher	Taylor & Francis Group Routledge, Taylor & Francis Group Taylor & Francis Ltd
Publisher_xml	– name: Taylor & Francis Group – name: Routledge, Taylor & Francis Group – name: Taylor & Francis Ltd
SSID	ssj0009544
Score	2.0293424
Snippet	An Afrikaans popular song about a general of the Anglo-Boer War, 'De la Rey' was received with great enthusiasm among white Afrikaans-speakers in 2007, but... An Afrikaans popular song about a general of the Anglo-Boer War, "De la Rey" was received with great enthusiasm among white Afrikaans-speakers in 2007, but...
SourceID	proquest crossref jstor informaworld
SourceType	Aggregation Database Enrichment Source Index Database Publisher
StartPage	763
SubjectTerms	African culture African history Afrikaaners Afrikaans language Afrikaners Apartheid Boundaries Business Celebrations Cultural heritage Cultural identity Cultural preservation Cultural property Ethnic Identity Ethnicity Germanic Languages Heroes Identity Identity Politics Industry Language culture relationship Language history Language use Legitimacy Markets Music Nostalgia Political identity Political parties Politics Popular culture Popular songs Public Sphere Race Reactions to Political Threat and Upheaval Resilience South Africa Southern African cultural groups Threat Transformation Trucks War White people Whites
Title	'De la Rey' and the Revival of 'Boer Heritage': Nostalgia in the Post-apartheid Afrikaner Culture Industry
URI	https://www.tandfonline.com/doi/abs/10.1080/03057070.2011.617219 https://www.jstor.org/stable/41345865 https://www.proquest.com/docview/918787547 https://www.proquest.com/docview/1023024341 https://www.proquest.com/docview/1023030124 https://www.proquest.com/docview/1036035966 https://www.proquest.com/docview/963635939
Volume	37
WOSCitedRecordID	wos000299208800008&url=https%3A%2F%2Fcvtisr.summon.serialssolutions.com%2F%23%21%2Fsearch%3Fho%3Df%26include.ft.matches%3Dt%26l%3Dnull%26q%3D
hasFullText	1
inHoldings	1
isFullTextHit
isPrint
journalDatabaseRights	– providerCode: PRVAWR databaseName: Taylor & Francis Journals Complete customDbUrl: eissn: 1465-3893 dateEnd: 99991231 omitProxy: false ssIdentifier: ssj0009544 issn: 0305-7070 databaseCode: TFW dateStart: 19741001 isFulltext: true titleUrlDefault: https://www.tandfonline.com providerName: Taylor & Francis
link	http://cvtisr.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpZ3Lb9QwEIctVHHgwqO0IhTQICEWDhFNHDsON16rHtAKoSJ6i2xnUi2sNmizRdr_nhk7WW2F2kpwzjgPZzwev76fEC-kdr7Kc5_KVmJauLJMXeGbtJTatEZbrZqgWvK5nM3M2Vn1ZecUP2-r5DF0G0ERIVZz47auH3fEvWEfLclVI4CTu-DA_aTEnl38dPp9h7pbRH7UsUq5xHh27oqbXOqbLpFLx92Kf0Xs0A1N7_3_B9wXd4cUFN5Fn3kgbuFyXxxEXsgGXgLDaG0Q_N3siySe34UhBvTwagBVv34ofkw-IiwsfMXNBOhlgJJJ4MUG8l7oWpi873AFJ8jzD-c4eQuzjnLRxfncwnwZjFkqOKXuesXrFQ2waNFPS7eHSPpEGJRFNgfi2_TT6YeTdNBuSD0NgdYpNjSUQ4PeSO8Vxw1V2ZaSxcxVRZ5h3pQKpaeh-bEr0KNE2TjWmnHaIhN_DsXeslviIwG6tKh0pYxDSnfQGJu7stGZM1ZJZTERcvxrtR_A5qyvsaizkX861HfN9V3H-k5Eui31K4I9brA3uw5Rr8OEShvVT2p5fdHD4Dzb51DiUCijVSKORm-qh9DR11VmKIiqokzE8-1VavO8kEN_oLvoa8ZtMEmyyG6woeidF9fZSM0IR60TAVfYUICmnLSS1eN_r4AjcSdMxYddQE_E3np1gU_Fbf97Pe9Xz0KT_QMB9DjO
linkProvider	Taylor & Francis
linkToHtml	http://cvtisr.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrV3db9MwELfQQIIXPsYmwvgwEqLwYG2JY8fhja-qiFIhVMTeLNu5TIWqRU2H1P8en-1Um9A2CfGcs5PY57vz-fz7EfKcS-vqonCMtxxYaauK2dI1rOJStUoaKZrAWjKuJhN1fFx_SdWEXSqrxD10G4Eigq3GxY3J6L4k7hCVtPK6GhE40Qcj8Od14V0tVvVNh9_P4O6WEUHqSDBs0t-eu6CXc97pHHZpX6_4l80Ojmh45z_8wl1yO0Wh9E1Um3vkGix2yV6EDNnQFxTxaE3g_N3skixe4aXJDHT0ZcKqfnWf_Bi8Bzo39CtsBtR_DfXxJMXzBq_AdNnSwdslrOgIMAVxAoPXdLL04ej8ZGbobBGEkS2YeY-9wiOLhiJv0U_ju6cR7BNoIhfZ7JFvww_TdyOW6BuY87ugNYPG7-ZAgVPcOYGmQ9Sm9fFibuuyyKFoKgHc-d35kS3BAQfeWKSbsdIAgv7sk53FcgEPCJWVASFroSz4iAeUMoWtGplbZQQXBjLC-2nTLmGbI8XGXOc9BGoab43jreN4Z4RtW_2K2B5XyKuzGqHXIafSRgIUzS9vuh-0Z_seHzuUQkmRkYNenXSyHp2uc-XtqCirjDzbPvXLHs9y_AwsTzuNiBsIJlnmV8h4A16Ul8lwiSiOUmaEXiDjbbQPS2teP_z3AXhKbo6mn8d6_HHy6YDcCpn5UBT0iOysV6fwmNxwv9ezbvUkrN8_pBw87w
linkToPdf	http://cvtisr.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpZ3fb9MwEMctNBDihcHYRDZ-GAlReIi2xLHj8AaMaoipmtAQe7Ns5zIVqmZqO6T-99zZSdUJbZPgOef8cM7n86_Pl7HXQjlf5blPRSMgLVxZpq7wdVoKpRutrJJ1UC05LkcjfXZWnayd4qdtlTSGbiIoIsRqatwXddPviNsnHy3RVSOAk7pg4n7eDWws9OjT4Y817G4RAVIHMqUi_eG5a-5ypXO6gi7ttyv-FbJDPzTc_P8veMQedjko_xCd5jG7A9Mtth2BIUv-hhON1gbF3-UWS-IBXt4FgTl_25Gq3z1hPweHwCeWf4PlgOPLcMwmOa02oPvytuGDjy3M-BHQBMQ5DN7zUYvJ6OR8bPl4GoxJKzjF_npGCxY1J9WiXxZvzyPqE3gnLbLcZt-Hn08_HaWdeEPqcQy0SKHGsRxo8Fp4LylwyMo2mC1mriryDPK6lCA8js0PXAEeBIjakdiMUxYI-bPDNqbtFJ4yrkoLUlVSO8B8B7S2uStrlTltpZAWEib6v2Z8RzYngY2JyXoAalffhurbxPpOWLoqdRHJHrfY63WHMIswo9JE-RMjbi66E5xn9RzMHAqplUzYXu9Nposdc1NlGqOoLMqEvVpdxUZPKzn4B9rLuSHeBqEki-wWGwzfeXGTjVDEcFQqYfwaG4zQmJRWotr99wp4ye6fHA7N8ZfR1z32IEzLhx1Bz9jGYnYJz9k9_3sxns9ehNb7B3IuO5M
openUrl	ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=%27De+la+Rey%27+and+the+Revival+of+%27Boer+Heritage%27%3A+Nostalgia+in+the+Post-apartheid+Afrikaner+Culture+Industry&rft.jtitle=Journal+of+southern+African+studies&rft.au=van+der+Waal%2C+Kees+C.S.&rft.au=Robins%2C+Steven&rft.date=2011-12-01&rft.pub=Routledge%2C+Taylor+%26+Francis+Group&rft.issn=0305-7070&rft.eissn=1465-3893&rft.volume=37&rft.issue=4&rft.spage=763&rft.epage=779&rft_id=info:doi/10.1080%2F03057070.2011.617219&rft.externalDocID=41345865
thumbnail_l	http://covers-cdn.summon.serialssolutions.com/index.aspx?isbn=/lc.gif&issn=0305-7070&client=summon
thumbnail_m	http://covers-cdn.summon.serialssolutions.com/index.aspx?isbn=/mc.gif&issn=0305-7070&client=summon
thumbnail_s	http://covers-cdn.summon.serialssolutions.com/index.aspx?isbn=/sc.gif&issn=0305-7070&client=summon