Dancehall music and urban identities in Zimbabwe – a constructive postmodern perspective

Dancehall music may be seen as a commentary over the socio-political events that are unfolding in Zimbabwe since 2008, a period characterised by political and economic uncertainty. The study focuses on how this genre of music reflects identities that emerge from the context characterised by the disi...

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Veröffentlicht in:Hervormde teologiese studies Jg. 72; H. 4; S. 1 - 6
1. Verfasser: Dube, Zorodzai
Format: Journal Article
Sprache:Englisch
Veröffentlicht: Pretoria AOSIS 2016
AOSIS (Pty) Ltd
Reformed Theological College of the Netherdutch Reformed Church of Africa at the Faculty of Theology of the University of Pretoria and Society for Practical Theology in South Africa
Schlagworte:
Dancehall
Households and Violence
Identity
Religion
Religious studies
Sacred texts
Spirituality
Zimbabwe
Zimbabwe
ISSN:0259-9422, 2072-8050, 2072-8050
Online-Zugang:Volltext
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Zusammenfassung:Dancehall music may be seen as a commentary over the socio-political events that are unfolding in Zimbabwe since 2008, a period characterised by political and economic uncertainty. The study focuses on how this genre of music reflects identities that emerge from the context characterised by the disintegrating state institutions and fragile households. With such a context, dancehall music may be interpreted as offering hope and courage. Notably, the music carries a unique theological injunction where God is called upon to witness and offer strength, not to punish or change the status quo. I call this genre of music wilderness music to explain that the music provides spaces of hope and courage to fragile and less certain identities.
Bibliographie:SourceType-Scholarly Journals-1
ObjectType-Feature-1
content type line 14
ISSN:0259-9422
2072-8050
2072-8050
DOI:10.4102/hts.v72i4.3461