The photographer's body: Populism, polarization, and the uses of victimhood in Venezuela

Political antagonism between supporters and opponents of former president Hugo Chávez has been a defining feature of daily life in Caracas for more than a decade. Despite their different political orientations, the antagonistic poles of "chavismo" and "the opposition" share strik...

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Vydáno v:American ethnologist Ročník 40; číslo 3; s. 525 - 539
Hlavní autor: SAMET, ROBERT
Médium: Journal Article
Jazyk:angličtina
Vydáno: Washington, DC Wiley Subscription Services 01.08.2013
Hoboken, NJ Wiley
American Ethnological Society
Wiley Subscription Services, Inc
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ISSN:0094-0496, 1548-1425
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Shrnutí:Political antagonism between supporters and opponents of former president Hugo Chávez has been a defining feature of daily life in Caracas for more than a decade. Despite their different political orientations, the antagonistic poles of "chavismo" and "the opposition" share striking similarities, starting at the level of political practice. I argue that Venezuela's political polarization reflects the shared logic of populism. Through the story of Jorge Tortoza—a photojournalist killed during the failed 2002 coup d'état against President Chávez—I describe how the chavista–opposition divide is produced and policed through performances of victimhood, performances that are essential to populist mobilization in Venezuela.
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ISSN:0094-0496
1548-1425
DOI:10.1111/amet.12037