Combined Micro- and Macro scale X-ray powder diffraction mapping of degraded Orpiment paint in a 17th century still life painting by Martinus Nellius

The spontaneous chemical alteration of artists’ pigment materials may be caused by several degradation processes. Some of these are well known while others are still in need of more detailed investigation and documentation. These changes often become apparent as color modifications, either caused by...

Celý popis

Uloženo v:
Podrobná bibliografie
Vydáno v:Heritage science Ročník 7; číslo 1; s. 1 - 12
Hlavní autoři: Simoen, Jonas, De Meyer, Steven, Vanmeert, Frederik, de Keyser, Nouchka, Avranovich, Ermanno, Van der Snickt, Geert, Van Loon, Annelies, Keune, Katrien, Janssens, Koen
Médium: Journal Article
Jazyk:angličtina
Vydáno: Cham Springer International Publishing 01.12.2019
Springer Nature B.V
SpringerOpen
Témata:
ISSN:2050-7445, 2050-7445
On-line přístup:Získat plný text
Tagy: Přidat tag
Žádné tagy, Buďte první, kdo vytvoří štítek k tomuto záznamu!
Popis
Shrnutí:The spontaneous chemical alteration of artists’ pigment materials may be caused by several degradation processes. Some of these are well known while others are still in need of more detailed investigation and documentation. These changes often become apparent as color modifications, either caused by a change in the oxidation state in the original material or the formation of degradation products or salts, via simple or more complex, multistep reactions. Arsenic-based pigments such as orpiment (As 2 S 3 ) or realgar (α-As 4 S 4 ) are prone to such alterations and are often described as easily oxidizing upon exposure to light. Macroscopic X-ray powder diffraction (MA-XRPD) imaging on a sub area of a still life painting by the 17th century Dutch painter Martinus Nellius was employed in combination with microscopic (μ-) XRPD imaging of a paint cross section taken in the area imaged by MA-XRPD. In this way, the in situ formation of secondary metal arsenate and sulfate species and their migration through the paint layer stack they originate from could be visualized. In the areas originally painted with orpiment, it could be shown that several secondary minerals such as schultenite (PbHAsO 4 ), mimetite (Pb 5 (AsO 4 ) 3 Cl), palmierite (K 2 Pb(SO 4 ) 2 ) and syngenite (K 2 Ca(SO 4 ) 2 ∙H 2 O) have formed. Closer inspection of the cross-sectioned paint layer stack with μ-XRPD illustrates that the arsenate minerals schultenite and mimetite have precipitated at the interface between the orpiment layer and the layer below that is rich in lead white, i.e. close to the depth of formation of the arsenate ions. The sulfate palmierite has mostly precipitated at the surface and upper layers of the painting.
Bibliografie:ObjectType-Article-1
SourceType-Scholarly Journals-1
ObjectType-Feature-2
content type line 14
ISSN:2050-7445
2050-7445
DOI:10.1186/s40494-019-0324-4