Palestine 2048 in Inertia: False Utopias, a Dwindling Nation, and the Last Palestinian

This essay proposes to discuss how the recent turn to the futuristic in a selection of Palestinian science fiction works assumes a fatalistic tenor in that it expresses the inability and unwillingness of Palestinian imagination to move forward and confront the prospects of what seems to be inevitabl...

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Vydáno v:Interventions (London, England) Ročník 26; číslo 8; s. 1077 - 1100
Hlavní autor: Ebileeni, Maurice
Médium: Journal Article
Jazyk:angličtina
Vydáno: London Routledge 16.11.2024
Taylor & Francis Ltd
Témata:
Apocalypse
Dystopia
Fiction
Future
futurism
Imagination
nationalism
Palestinian science fiction
Prospects
Science fiction & fantasy
Short stories
space
Statehood
Suspension
utopia
Utopias
ISSN:1369-801X, 1469-929X
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Abstract This essay proposes to discuss how the recent turn to the futuristic in a selection of Palestinian science fiction works assumes a fatalistic tenor in that it expresses the inability and unwillingness of Palestinian imagination to move forward and confront the prospects of what seems to be inevitable epistemic erasure. The act of imagining fictional futures seemingly suspends the coming of the actual future that does not offer tenable conditions for Palestinian continuation. The essay brings together Larissa Sansour's sci-fi short film trilogy - A Space Exodus (2008), Nation Estate (2013), and In the Future They Ate from the Finest Porcelain (2015) - and a selection of short stories from the recent sci-fi collection Palestine +100 edited by Basma Ghalayini. The aim is to demonstrate how the suspension of temporal progression in Palestinian imaginings structures futuristic configurations of three more or less familiar Palestinian tropes: (1) the utopic call for liberating Palestine "from the river to the sea"; (2) the dystopic implications of the (conceptual and territorial) shrinking space of a vanishing nation; and (3) continuation in the aftermath of the Palestinian apocalypse. To imagine in the cataclysmic present moment, I argue, epistemically asserts the existence of Palestine and, consequently, wards off the prospects of nonbeing as the possibility of statehood is steadily dwindling.
AbstractList This essay proposes to discuss how the recent turn to the futuristic in a selection of Palestinian science fiction works assumes a fatalistic tenor in that it expresses the inability and unwillingness of Palestinian imagination to move forward and confront the prospects of what seems to be inevitable epistemic erasure. The act of imagining fictional futures seemingly suspends the coming of the actual future that does not offer tenable conditions for Palestinian continuation. The essay brings together Larissa Sansour’s sci-fi short film trilogy – A Space Exodus (2008), Nation Estate (2013), and In the Future They Ate from the Finest Porcelain (2015) – and a selection of short stories from the recent sci-fi collection Palestine +100 edited by Basma Ghalayini. The aim is to demonstrate how the suspension of temporal progression in Palestinian imaginings structures futuristic configurations of three more or less familiar Palestinian tropes: (1) the utopic call for liberating Palestine “from the river to the sea”; (2) the dystopic implications of the (conceptual and territorial) shrinking space of a vanishing nation; and (3) continuation in the aftermath of the Palestinian apocalypse. To imagine in the cataclysmic present moment, I argue, epistemically asserts the existence of Palestine and, consequently, wards off the prospects of nonbeing as the possibility of statehood is steadily dwindling.
Author Ebileeni, Maurice
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10.1080/00472336.2020.1767849
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Copyright 2023 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group 2023
2023 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. This work is licensed under the Creative Commons Attribution – Non-Commercial – No Derivatives License http://creativecommons.org/licenses/by-nc-nd/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.
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SubjectTerms Apocalypse
Dystopia
Fiction
Future
futurism
Imagination
nationalism
Palestinian science fiction
Prospects
Science fiction & fantasy
Short stories
space
Statehood
Suspension
utopia
Utopias
Title Palestine 2048 in Inertia: False Utopias, a Dwindling Nation, and the Last Palestinian
URI https://www.tandfonline.com/doi/abs/10.1080/1369801X.2023.2252813
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