Radical Post-Modernism and Content: Charles Jencks and Rem Koolhaas Debate the Issue

The following debate took place on 28 December 2009 between Charles Jencks and Rem Koolhaas, and was transcribed and edited by Eva Branscome. Jencks and Koolhaas have exchanged ideas since the late 1960s. Jencks was the one to insist that Koolhaas come to the 1980 Venice Biennale, originally entitle...

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Bibliographic Details
Published in:Architectural design Vol. 81; no. 5; pp. 32 - 45
Main Authors: Jencks, Charles, Koolhaas, Rem
Format: Journal Article
Language:English
Published: Chichester, UK John Wiley & Sons, Ltd 01.09.2011
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ISSN:0003-8504, 1554-2769, 1554-2769
Online Access:Get full text
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Summary:The following debate took place on 28 December 2009 between Charles Jencks and Rem Koolhaas, and was transcribed and edited by Eva Branscome. Jencks and Koolhaas have exchanged ideas since the late 1960s. Jencks was the one to insist that Koolhaas come to the 1980 Venice Biennale, originally entitled ‘Post‐Modernism’. (Paolo Portoghesi invited Jencks to collaborate with him on this first Biennale before it expanded into historicism.) In January 2002, Jencks was also a judge of the competition for the CCTV Building, the headquarters for China Central Television in Beijing, discussed below. Jencks and Koolhaas continue to thrive on their discussions and disagreements. Although they have very different commitments to the issue of ‘content’, their varying positions help to clarify what is meant here by ‘radical’. Copyright © 2011 John Wiley & Sons, Ltd.
Bibliography:ark:/67375/WNG-WDKCRKQM-9
istex:143BEA81FE62F9E7DA5B4DB098BD9D263A83265E
ArticleID:AD1293
ObjectType-Article-2
SourceType-Scholarly Journals-1
ObjectType-Feature-1
content type line 23
ISSN:0003-8504
1554-2769
1554-2769
DOI:10.1002/ad.1293