Contemporary flâneuses in late capitalism: the representation of urban space in two Hong Kong women artists' works
In literature on modern urban life, a flâneur is a man who wanders seemingly aimlessly but with the intention of observing people or events in urban life and perhaps recording these observations in text or images. This article shows how contemporary women artists in Hong Kong-a city in late capitali...
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| Vydané v: | Continuum (Mount Lawley, W.A.) Ročník 34; číslo 3; s. 448 - 467 |
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| Médium: | Journal Article |
| Jazyk: | English |
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Abingdon
Routledge
03.05.2020
Taylor & Francis Ltd |
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| ISSN: | 1030-4312, 1469-3666 |
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| Abstract | In literature on modern urban life, a flâneur is a man who wanders seemingly aimlessly but with the intention of observing people or events in urban life and perhaps recording these observations in text or images. This article shows how contemporary women artists in Hong Kong-a city in late capitalism, perform the role of the flâneuse, the female counterpart of the flâneur. The article analyses Stella Tang's series of paintings Sauntering Through My City Series (2009-2016) and Annie Wan's ceramic works Looking For Poetry in Wanchai (2005) and Collecting Moonlight (2017). The article takes a nomadic nondialectical approach to explore how the two women artists practise their flâneurie, and how they transform such experiences into art projects that are different from the conventional flâneur art. I identify three aspects of the alternative representation of urban space in the works of the two flâneuses: reconfiguration of conception, the creative appropriation of alternative art forms and public engagement. |
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| AbstractList | In literature on modern urban life, a flâneur is a man who wanders seemingly aimlessly but with the intention of observing people or events in urban life and perhaps recording these observations in text or images. This article shows how contemporary women artists in Hong Kong-a city in late capitalism, perform the role of the flâneuse, the female counterpart of the flâneur. The article analyses Stella Tang's series of paintings Sauntering Through My City Series (2009-2016) and Annie Wan's ceramic works Looking For Poetry in Wanchai (2005) and Collecting Moonlight (2017). The article takes a nomadic nondialectical approach to explore how the two women artists practise their flâneurie, and how they transform such experiences into art projects that are different from the conventional flâneur art. I identify three aspects of the alternative representation of urban space in the works of the two flâneuses: reconfiguration of conception, the creative appropriation of alternative art forms and public engagement. |
| Author | Zeng, Hong |
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| Cites_doi | 10.5749/j.cttts6mg 10.1080/09589236.2018.1429256 10.1002/9781118885215.ch16 10.1215/9780822381372 10.1093/oso/9780198186823.001.0001 10.1515/9789882203068 10.1177/0263276485002003005 10.2979/3270.0 10.1525/9780520915510 |
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| SubjectTerms | Appropriation Artists Capitalism Chinese contemporary art Female roles Females feminist art flâneuse hong Kong art nomadic subjects Nomads Poetry Urban areas Urbanism Women women's art |
| Title | Contemporary flâneuses in late capitalism: the representation of urban space in two Hong Kong women artists' works |
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