Remembering The Civil War in Today’s Lebanese Cinema
In the aftermath of the civil war, memory and trauma are a prominent thema in Lebanese cinema. This study aims to explore how the civil war is remembered through cinema in contemporary Lebanese cinema, based on an analysis of the films Where Do We Go Now?, Tramontane, The Insult and Memory Box. Thes...
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| Published in: | CINEJ cinema journal Vol. 13; no. 1; pp. 335 - 371 |
|---|---|
| Main Authors: | , |
| Format: | Journal Article |
| Language: | English |
| Published: |
Pittsburgh
University Library System, University of Pittsburgh
01.12.2025
University of Pittsburgh |
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| ISSN: | 2158-8724, 2159-2411, 2158-8724 |
| Online Access: | Get full text |
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| Abstract | In the aftermath of the civil war, memory and trauma are a prominent thema in Lebanese cinema. This study aims to explore how the civil war is remembered through cinema in contemporary Lebanese cinema, based on an analysis of the films Where Do We Go Now?, Tramontane, The Insult and Memory Box. These films, selected from among the films made in Lebanon after 2010 by Lebanese directors and dealing with the civil war, were analysed through descriptive analysis under the themes of past, identity, trauma and space. The films under scrutiny serve as conduits for the articulation of remembrance, both as a means of confronting past traumas and of reflecting upon the present. The act of remembering the past and confronting traumas is rendered through the medium of personal recollections by the directors, thus creating a narrative of collective memory. When the subject of the civil war is represented in films, it is commonly remembered as “the past in the present”. |
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| AbstractList | In the aftermath of the civil war, memory and trauma are a prominent thema in Lebanese cinema. This study aims to explore how the civil war is remembered through cinema in contemporary Lebanese cinema, based on an analysis of the films Where Do We Go Now?, Tramontane, The Insult and Memory Box. These films, selected from among the films made in Lebanon after 2010 by Lebanese directors and dealing with the civil war, were analysed through descriptive analysis under the themes of past, identity, trauma and space. The films under scrutiny serve as conduits for the articulation of remembrance, both as a means of confronting past traumas and of reflecting upon the present. The act of remembering the past and confronting traumas is rendered through the medium of personal recollections by the directors, thus creating a narrative of collective memory. When the subject of the civil war is represented in films, it is commonly remembered as "the past in the present". |
| Author | Evecen, Gökhan Serter, Sırrı Serhat |
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| ContentType | Journal Article |
| Copyright | 2025. This work is published under https://creativecommons.org/licenses/by/4.0/ (the "License"). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. |
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| DOI | 10.5195/cinej.2025.714 |
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| SubjectTerms | Civil war Collective memory Collective trauma Consciousness Influence Lebanese cinema Lebanese civil war Motion picture directors & producers Motion pictures Narratives Past War |
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| Title | Remembering The Civil War in Today’s Lebanese Cinema |
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