The Orc—Playing the “Wholly Other”: Investigations of Kant's Sublime and The Technological Sublime in Blizzard Entertainment's Massive Multiplayer Online Game World of Warcraft
While the complicated scheme of the philosophical sublime may at first hand seem mere platitude when brought to life in computer games, this article claims that the action/adventure game World of Warcraft wedges open a space in which to operate the sublime and navigate radically “other” subjectiviti...
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| Vydané v: | Games and culture Ročník 18; číslo 7; s. 868 - 888 |
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| Hlavní autori: | , |
| Médium: | Journal Article |
| Jazyk: | English |
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Los Angeles, CA
SAGE Publications
01.11.2023
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| ISSN: | 1555-4120, 1555-4139 |
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| Abstract | While the complicated scheme of the philosophical sublime may at first hand seem mere platitude when brought to life in computer games, this article claims that the action/adventure game World of Warcraft wedges open a space in which to operate the sublime and navigate radically “other” subjectivities. The hypothesis is that the assembly of fantastic elements in World of Warcraft duplicates the Kantian sublime while at the same time commenting upon and even radicalizing it. The Romantic tradition of the sublime as it unfolds in Immanuel Kant's third Critique is outlined followed by an attempt to topologize elements of the fantastic in Blizzard's game design philosophy leading to a clarification of what we call “the knotted point of play” where game object, game interaction, and game subject intervene. Finally, we explore how the notion of the technological sublime relates to World of Warcraft and beyond. |
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| AbstractList | While the complicated scheme of the philosophical sublime may at first hand seem mere platitude when brought to life in computer games, this article claims that the action/adventure game World of Warcraft wedges open a space in which to operate the sublime and navigate radically “other” subjectivities. The hypothesis is that the assembly of fantastic elements in World of Warcraft duplicates the Kantian sublime while at the same time commenting upon and even radicalizing it. The Romantic tradition of the sublime as it unfolds in Immanuel Kant's third Critique is outlined followed by an attempt to topologize elements of the fantastic in Blizzard's game design philosophy leading to a clarification of what we call “the knotted point of play” where game object, game interaction, and game subject intervene. Finally, we explore how the notion of the technological sublime relates to World of Warcraft and beyond. |
| Author | Kampmann Walther, Bo Juel Larsen, Lasse |
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| Cites_doi | 10.4159/9780674053885 10.1353/tks.2020.0005 10.1201/b16671 10.1080/09697250600797930 10.1353/mfs.2005.0008 10.4324/9781315756516 10.1007/978-1-84882-555-0 10.1080/17511321.2020.1827453 10.7551/mitpress/5128.001.0001 10.1080/00201750510022790 10.1007/s13347-016-0223-5 10.1093/0195187458.001.0001 10.1017/CBO9781316182017 10.1353/mln.0.0145 10.3917/cite.030.0031 |
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| Title | The Orc—Playing the “Wholly Other”: Investigations of Kant's Sublime and The Technological Sublime in Blizzard Entertainment's Massive Multiplayer Online Game World of Warcraft |
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