The Platformization of Culture: Webtoon Platforms and Media Ecology in Korea and Beyond
This article examines the webtoon (wept'un)—a term coined in Korea to refer to webcomics—which is arguably the most pervasive and powerful form of digital serial production in twenty-first-century Korea. Webtoons have developed by utilizing various potentials that the digital platform offers, s...
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| Published in: | The Journal of Asian studies Vol. 80; no. 1; pp. 73 - 93 |
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| Main Author: | |
| Format: | Journal Article |
| Language: | English |
| Published: |
New York, USA
Cambridge University Press
01.02.2021
Duke University Press, NC & IL |
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| ISSN: | 0021-9118, 1752-0401 |
| Online Access: | Get full text |
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| Abstract | This article examines the webtoon (wept'un)—a term coined in Korea to refer to webcomics—which is arguably the most pervasive and powerful form of digital serial production in twenty-first-century Korea. Webtoons have developed by utilizing various potentials that the digital platform offers, such as open solicitation, (partial) free web/mobile distribution, profit from advertisement and page viewing, and transmedia production. As a new cultural medium, the webtoon is thus inseparable from its platform and organically tied to its distinctive platform ecology, which is different from the ecosystems that other (global) mega-platforms create. Engaging with the insights from recent studies of platforms and utilizing empirical media analysis, I argue that Korean webtoon platforms demonstrate the continuing and intensifying dependency of art on platforms—a process that I call “the platformization of culture”—and that this specific type of platformization is reinforced by what I call “the artist incubating system.” The case of webtoon platforms reveals a number of telling aspects of media ecosystems for art production in the digital age—aspects that are spreading and expanding to various fields of art. |
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| AbstractList | This article examines the webtoon (wept'un)—a term coined in Korea to refer to webcomics—which is arguably the most pervasive and powerful form of digital serial production in twenty-first-century Korea. Webtoons have developed by utilizing various potentials that the digital platform offers, such as open solicitation, (partial) free web/mobile distribution, profit from advertisement and page viewing, and transmedia production. As a new cultural medium, the webtoon is thus inseparable from its platform and organically tied to its distinctive platform ecology, which is different from the ecosystems that other (global) mega-platforms create. Engaging with the insights from recent studies of platforms and utilizing empirical media analysis, I argue that Korean webtoon platforms demonstrate the continuing and intensifying dependency of art on platforms—a process that I call “the platformization of culture”—and that this specific type of platformization is reinforced by what I call “the artist incubating system.” The case of webtoon platforms reveals a number of telling aspects of media ecosystems for art production in the digital age—aspects that are spreading and expanding to various fields of art. |
| Author | Cho, Heekyoung |
| Author_xml | – sequence: 1 givenname: Heekyoung surname: Cho fullname: Cho, Heekyoung email: hchohcho@uw.edu organization: Heekyoung Cho (hchohcho@uw.edu) is Associate Professor in the Department of Asian Languages and Literature at the University of Washington |
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| Cites_doi | 10.1177/1461444809342738 10.1525/9780520962934 10.1177/1461444818769694 10.1093/oso/9780199283262.001.0001 10.2307/j.ctvcj305r.8 10.1093/acprof:oso/9780199970773.001.0001 10.5749/j.ctvc2rn88 10.1177/2056305119880174 10.1163/22142312-12340078 10.1177/2056305115603080 10.1163/22142312-12340076 10.1093/oso/9780190889760.001.0001 |
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| Copyright | Copyright © The Association for Asian Studies, Inc. 2021 |
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| DOI | 10.1017/S0021911820002405 |
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| Keywords | digital age webcomics webtoon intensification of the commodification of culture media ecology East Asia neoliberalism web fiction platformization Korea |
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| SubjectTerms | 21st century Advertisements Architecture Artists Asian studies Business models Computer platforms Culture Dependency Ecology Ecosystems Mass media effects Music Production Recommender systems Society User generated content |
| Title | The Platformization of Culture: Webtoon Platforms and Media Ecology in Korea and Beyond |
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