The Platformization of Culture: Webtoon Platforms and Media Ecology in Korea and Beyond

This article examines the webtoon (wept'un)—a term coined in Korea to refer to webcomics—which is arguably the most pervasive and powerful form of digital serial production in twenty-first-century Korea. Webtoons have developed by utilizing various potentials that the digital platform offers, s...

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Published in:The Journal of Asian studies Vol. 80; no. 1; pp. 73 - 93
Main Author: Cho, Heekyoung
Format: Journal Article
Language:English
Published: New York, USA Cambridge University Press 01.02.2021
Duke University Press, NC & IL
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ISSN:0021-9118, 1752-0401
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Abstract This article examines the webtoon (wept'un)—a term coined in Korea to refer to webcomics—which is arguably the most pervasive and powerful form of digital serial production in twenty-first-century Korea. Webtoons have developed by utilizing various potentials that the digital platform offers, such as open solicitation, (partial) free web/mobile distribution, profit from advertisement and page viewing, and transmedia production. As a new cultural medium, the webtoon is thus inseparable from its platform and organically tied to its distinctive platform ecology, which is different from the ecosystems that other (global) mega-platforms create. Engaging with the insights from recent studies of platforms and utilizing empirical media analysis, I argue that Korean webtoon platforms demonstrate the continuing and intensifying dependency of art on platforms—a process that I call “the platformization of culture”—and that this specific type of platformization is reinforced by what I call “the artist incubating system.” The case of webtoon platforms reveals a number of telling aspects of media ecosystems for art production in the digital age—aspects that are spreading and expanding to various fields of art.
AbstractList This article examines the webtoon (wept'un)—a term coined in Korea to refer to webcomics—which is arguably the most pervasive and powerful form of digital serial production in twenty-first-century Korea. Webtoons have developed by utilizing various potentials that the digital platform offers, such as open solicitation, (partial) free web/mobile distribution, profit from advertisement and page viewing, and transmedia production. As a new cultural medium, the webtoon is thus inseparable from its platform and organically tied to its distinctive platform ecology, which is different from the ecosystems that other (global) mega-platforms create. Engaging with the insights from recent studies of platforms and utilizing empirical media analysis, I argue that Korean webtoon platforms demonstrate the continuing and intensifying dependency of art on platforms—a process that I call “the platformization of culture”—and that this specific type of platformization is reinforced by what I call “the artist incubating system.” The case of webtoon platforms reveals a number of telling aspects of media ecosystems for art production in the digital age—aspects that are spreading and expanding to various fields of art.
Author Cho, Heekyoung
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Issue 1
Keywords digital age
webcomics
webtoon
intensification of the commodification of culture
media ecology
East Asia
neoliberalism
web fiction
platformization
Korea
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Snippet This article examines the webtoon (wept'un)—a term coined in Korea to refer to webcomics—which is arguably the most pervasive and powerful form of digital...
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SubjectTerms 21st century
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Architecture
Artists
Asian studies
Business models
Computer platforms
Culture
Dependency
Ecology
Ecosystems
Mass media effects
Music
Production
Recommender systems
Society
User generated content
Title The Platformization of Culture: Webtoon Platforms and Media Ecology in Korea and Beyond
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