Writing and iconicity in The Idiot: towards Dostoevsky’ s graphopoetics

Dostoevsky’s discourse in The Idiot is aimed—and this is his main artistic task—at developing the artistic language of a previously unknown world, of the singular human experience unfolding within the novel, rather than at conveying a finished, completed plot. The focus of this paper is on the proce...

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Bibliographic Details
Published in:	Studies in East European thought Vol. 77; no. 5; pp. 955 - 980
Main Author:	Horváth, Géza
Format:	Journal Article
Language:	English
Published:	Dordrecht Springer Netherlands 01.10.2025 Springer Nature B.V
Subjects:	Calligraphy Discourse Drafts Education French literature Genre Heroism & heroes History Iconicity Ideograms Intertextuality Language Novels Philosophy Poetics Political Philosophy Political Science Russian literature Semiotics Writing Corporeality Book of Revelation Writing Visuality Pascal Dostoevsky’s graphopoetics Motifs (point/dot, line, cross, knife) Literary anthropology
ISSN:	0925-9392, 1573-0948
Online Access:	Get full text
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