Political Aspects of the Drama “Hlapci”

Political Aspects of the Drama Hlapci Contemporary discussions of the deep ideological divide in Slovenian society encompass many arguments that hark back to the cultural struggle waged at the turn of the 20th century. The word ‘farmhand’ was first used metaphorically by Ivan Cankar in the play Hlap...

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Published in:Slavia Meridionalis Vol. 24
Main Authors: Jasmina Šuler-Galos, Grzegorz Kołodziej
Format: Journal Article
Language:English
Published: Institute of Slavic Studies, Polish Academy of Sciences 31.12.2024
Subjects:
cultural struggle
farmhand
Ivan Cankar
Marxism
national narrative
Slovenian culture
ISSN:2392-2400
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Abstract Political Aspects of the Drama Hlapci Contemporary discussions of the deep ideological divide in Slovenian society encompass many arguments that hark back to the cultural struggle waged at the turn of the 20th century. The word ‘farmhand’ was first used metaphorically by Ivan Cankar in the play Hlapci [Farmhands] and remains one of the most frequently used concepts in this debate. In the article, it is treated as a nodal point which connects and stabilises elements of the Slovenian leftist discourse from the early 20th century to the present day.   Polityczne aspekty dramatu Hlapci Współczesne dyskusje dotyczące głębokiego podziału ideologicznego społeczeństwa słoweńskiego zawierają wiele argumentów używanych w wojnie kulturowej toczonej na przełomie XIX i XX wieku. Słowo parobek, w znaczeniu metaforycznym po raz pierwszy użyte przez Ivana Cankara w roku 1910 w dramacie Hlapci [Parobki], należy w tej dyskusji do najczęściej używanych pojęć. W artykule jest traktowane jako punkt węzłowy słoweńskiego lewicowego dyskursu od początku XX wieku do dziś.
AbstractList Political Aspects of the Drama Hlapci Contemporary discussions of the deep ideological divide in Slovenian society encompass many arguments that hark back to the cultural struggle waged at the turn of the 20th century. The word ‘farmhand’ was first used metaphorically by Ivan Cankar in the play Hlapci [Farmhands] and remains one of the most frequently used concepts in this debate. In the article, it is treated as a nodal point which connects and stabilises elements of the Slovenian leftist discourse from the early 20th century to the present day.   Polityczne aspekty dramatu Hlapci Współczesne dyskusje dotyczące głębokiego podziału ideologicznego społeczeństwa słoweńskiego zawierają wiele argumentów używanych w wojnie kulturowej toczonej na przełomie XIX i XX wieku. Słowo parobek, w znaczeniu metaforycznym po raz pierwszy użyte przez Ivana Cankara w roku 1910 w dramacie Hlapci [Parobki], należy w tej dyskusji do najczęściej używanych pojęć. W artykule jest traktowane jako punkt węzłowy słoweńskiego lewicowego dyskursu od początku XX wieku do dziś.
Author Jasmina Šuler-Galos
Grzegorz Kołodziej
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Snippet Political Aspects of the Drama Hlapci Contemporary discussions of the deep ideological divide in Slovenian society encompass many arguments that hark back to...
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SubjectTerms cultural struggle
farmhand
Ivan Cankar
Marxism
national narrative
Slovenian culture
Title Political Aspects of the Drama “Hlapci”
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Volume 24
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