‘Gillette: The best a beta can get’: Networking hegemonic masculinity in the digital sphere
On 13 January 2019, Gillette launched a short film on YouTube entitled We Believe as part of a campaign addressing negative behaviour among men that perpetuates toxic masculinity. However, the video was subject to a large backlash with over 1 million downvotes on YouTube and thousands of critical co...
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| Vydané v: | New media & society Ročník 24; číslo 6; s. 1417 - 1434 |
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| Jazyk: | English |
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London, England
SAGE Publications
01.06.2022
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| ISSN: | 1461-4448, 1461-7315 |
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| Abstract | On 13 January 2019, Gillette launched a short film on YouTube entitled We Believe as part of a campaign addressing negative behaviour among men that perpetuates toxic masculinity. However, the video was subject to a large backlash with over 1 million downvotes on YouTube and thousands of critical comments accusing Gillette of playing into the ‘feminist agenda’. This article examines the configuration of the backlash, specifically examining the networked properties, structure and key actors of the backlash represented in the comments below the YouTube video to understand how masculinities are (co)produced and reproduced in a post-#MeToo digital sphere. The analysis incorporates social network and thematic analyses of the comments posted under the Gillette YouTube video. The study contributes insight into the structure and configuration of a digitally networked backlash public and identifies how digital tactics are employed by a masculine public to achieve digital hegemony in the networked sphere. |
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| AbstractList | On 13 January 2019, Gillette launched a short film on YouTube entitled We Believe as part of a campaign addressing negative behaviour among men that perpetuates toxic masculinity. However, the video was subject to a large backlash with over 1 million downvotes on YouTube and thousands of critical comments accusing Gillette of playing into the ‘feminist agenda’. This article examines the configuration of the backlash, specifically examining the networked properties, structure and key actors of the backlash represented in the comments below the YouTube video to understand how masculinities are (co)produced and reproduced in a post-#MeToo digital sphere. The analysis incorporates social network and thematic analyses of the comments posted under the Gillette YouTube video. The study contributes insight into the structure and configuration of a digitally networked backlash public and identifies how digital tactics are employed by a masculine public to achieve digital hegemony in the networked sphere. |
| Author | Trott, Verity Anne |
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| References | Menzie 2020 Kleinberg 1999; 45 Salter, Blodgett 2012; 56 Kupers 2005; 61 Ralph, Roberts 2020; 23 Wright, Trott, Jones 2020; 23 Jones, Trott, Wright 2019; 22 Blodgett, Salter 2018; 11 Connell, Messerschmidt 2005; 19 Light 2013; 2 Bratich, Banet-Weiser 2019; 13 Rodriguez, Huemmer, Blumell 2016; 5 Braun, Clarke 2006; 3 Christensen, Jensen 2014; 9 Ging 2017; 22 Jaki, Smedt, Gwozdz 2019; 7 Jewkes, Morrell, Hearn 2015; 17 Trott 2020 bibr3-1461444820978293 bibr11-1461444820978293 bibr16-1461444820978293 bibr29-1461444820978293 bibr2-1461444820978293 bibr33-1461444820978293 bibr15-1461444820978293 bibr10-1461444820978293 bibr6-1461444820978293 bibr9-1461444820978293 bibr28-1461444820978293 bibr1-1461444820978293 bibr32-1461444820978293 bibr19-1461444820978293 Messerschmidt JW (bibr23-1461444820978293) 2018 bibr22-1461444820978293 bibr27-1461444820978293 bibr5-1461444820978293 bibr30-1461444820978293 Bratich J (bibr4-1461444820978293) 2019; 13 Connell RW (bibr8-1461444820978293) 1995 bibr14-1461444820978293 bibr18-1461444820978293 bibr31-1461444820978293 bibr26-1461444820978293 bibr13-1461444820978293 Connell RW (bibr7-1461444820978293) 1987 bibr12-1461444820978293 bibr17-1461444820978293 Nagle A (bibr24-1461444820978293) 2017 bibr25-1461444820978293 Light B (bibr20-1461444820978293) 2013; 2 bibr21-1461444820978293 |
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| Title | ‘Gillette: The best a beta can get’: Networking hegemonic masculinity in the digital sphere |
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