The split subject of ‘Russian’ history in A Disgraceful Affair – Skverny Anekdot
This article situates Dostoevsky’s short story A Disgraceful Affair in a Lacanian, psychoanalytic context in order to interrogate Bakhtin’s reading of Dostoevsky’s poetics through his concepts of the ‘carnivalesque’, the ‘chronotope’, and the ‘threshold’. Focusing on ‘shame’ and ‘repetition’ as func...
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| Vydáno v: | Studies in East European thought Ročník 77; číslo 5; s. 899 - 919 |
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| Hlavní autor: | |
| Médium: | Journal Article |
| Jazyk: | angličtina |
| Vydáno: |
Dordrecht
Springer Netherlands
01.10.2025
Springer Nature B.V |
| Témata: | |
| ISSN: | 0925-9392, 1573-0948 |
| On-line přístup: | Získat plný text |
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| Shrnutí: | This article situates Dostoevsky’s short story
A Disgraceful Affair
in a Lacanian, psychoanalytic context in order to interrogate Bakhtin’s reading of Dostoevsky’s poetics through his concepts of the ‘carnivalesque’, the ‘chronotope’, and the ‘threshold’. Focusing on ‘shame’ and ‘repetition’ as functions of Otherness in this story, it will analyse the aesthetic means by which Dostoevsky constructs a ‘new’ pathological subject. It argues that in this neglected short story Dostoevsky’s protagonist can be analysed much like the ‘subjects’ of poststructuralism, creating a split subject of ‘Russian’ history. |
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| Bibliografie: | ObjectType-Article-1 SourceType-Scholarly Journals-1 ObjectType-Feature-2 content type line 14 |
| ISSN: | 0925-9392 1573-0948 |
| DOI: | 10.1007/s11212-024-09648-z |