The split subject of ‘Russian’ history in A Disgraceful Affair – Skverny Anekdot

This article situates Dostoevsky’s short story A Disgraceful Affair in a Lacanian, psychoanalytic context in order to interrogate Bakhtin’s reading of Dostoevsky’s poetics through his concepts of the ‘carnivalesque’, the ‘chronotope’, and the ‘threshold’. Focusing on ‘shame’ and ‘repetition’ as func...

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Vydané v:	Studies in East European thought Ročník 77; číslo 5; s. 899 - 919
Hlavný autor:	Ascroft, Edward
Médium:	Journal Article
Jazyk:	English
Vydavateľské údaje:	Dordrecht Springer Netherlands 01.10.2025 Springer Nature B.V
Predmet:	Chronotope Consciousness Dialectics Education Failure Genre History Idealism Language Novellas Otherness Peace Philosophy Poetics Political Philosophy Political Science Poststructuralism Psychoanalysis Realism Repetition Russian literature Shame Short stories Social criticism & satire Subjectivity Weddings Bakhtin Shame Repetition Lacan Short story Threshold
ISSN:	0925-9392, 1573-0948
On-line prístup:	Získať plný text
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Shrnutí:	This article situates Dostoevsky’s short story A Disgraceful Affair in a Lacanian, psychoanalytic context in order to interrogate Bakhtin’s reading of Dostoevsky’s poetics through his concepts of the ‘carnivalesque’, the ‘chronotope’, and the ‘threshold’. Focusing on ‘shame’ and ‘repetition’ as functions of Otherness in this story, it will analyse the aesthetic means by which Dostoevsky constructs a ‘new’ pathological subject. It argues that in this neglected short story Dostoevsky’s protagonist can be analysed much like the ‘subjects’ of poststructuralism, creating a split subject of ‘Russian’ history.
Bibliografia:	ObjectType-Article-1 SourceType-Scholarly Journals-1 ObjectType-Feature-2 content type line 14
ISSN:	0925-9392 1573-0948
DOI:	10.1007/s11212-024-09648-z