Rembrandt’s The Standard Bearer New Findings from Imaging Analyses

Petria Noble, along with Annelies van Loon and Jonathan Bikker, examined the paint application and composition in Rembrandt's The Standard Bearer and concluded that some pigments used for the costume have lost their colour; however, the white flag is as intended. It is also now clear how the ar...

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Vydáno v:The Rijksmuseum bulletin Ročník 71; číslo 2; s. 170 - 179
Hlavní autoři: Noble, Petria, Van Loon, Annelies, Bikker, Jonathan
Médium: Journal Article
Jazyk:angličtina
Vydáno: Amsterdam Rijksmuseum 14.06.2023
The Rijksmuseum Publications Department
Témata:
Art restoration
Digital imaging
Pigments
Rembrandt Van Rijn (1606-1669)
Renaissance period
ISSN:1877-8127, 2772-6126, 2772-6126
On-line přístup:Získat plný text
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Shrnutí:Petria Noble, along with Annelies van Loon and Jonathan Bikker, examined the paint application and composition in Rembrandt's The Standard Bearer and concluded that some pigments used for the costume have lost their colour; however, the white flag is as intended. It is also now clear how the artwork was restored in 1958.
Bibliografie:ObjectType-Article-1
SourceType-Scholarly Journals-1
ObjectType-Feature-2
content type line 14
ISSN:1877-8127
2772-6126
2772-6126
DOI:10.52476/trb.15070