Rembrandt’s The Standard Bearer New Findings from Imaging Analyses

Petria Noble, along with Annelies van Loon and Jonathan Bikker, examined the paint application and composition in Rembrandt's The Standard Bearer and concluded that some pigments used for the costume have lost their colour; however, the white flag is as intended. It is also now clear how the ar...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:The Rijksmuseum bulletin Jg. 71; H. 2; S. 170 - 179
Hauptverfasser: Noble, Petria, Van Loon, Annelies, Bikker, Jonathan
Format: Journal Article
Sprache:Englisch
Veröffentlicht: Amsterdam Rijksmuseum 14.06.2023
The Rijksmuseum Publications Department
Schlagworte:
Art restoration
Digital imaging
Pigments
Rembrandt Van Rijn (1606-1669)
Renaissance period
ISSN:1877-8127, 2772-6126, 2772-6126
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
Beschreibung
Zusammenfassung:Petria Noble, along with Annelies van Loon and Jonathan Bikker, examined the paint application and composition in Rembrandt's The Standard Bearer and concluded that some pigments used for the costume have lost their colour; however, the white flag is as intended. It is also now clear how the artwork was restored in 1958.
Bibliographie:ObjectType-Article-1
SourceType-Scholarly Journals-1
ObjectType-Feature-2
content type line 14
ISSN:1877-8127
2772-6126
2772-6126
DOI:10.52476/trb.15070