Rembrandt’s The Standard Bearer New Findings from Imaging Analyses

Petria Noble, along with Annelies van Loon and Jonathan Bikker, examined the paint application and composition in Rembrandt's The Standard Bearer and concluded that some pigments used for the costume have lost their colour; however, the white flag is as intended. It is also now clear how the ar...

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Bibliographic Details
Published in:	The Rijksmuseum bulletin Vol. 71; no. 2; pp. 170 - 179
Main Authors:	Noble, Petria, Van Loon, Annelies, Bikker, Jonathan
Format:	Journal Article
Language:	English
Published:	Amsterdam Rijksmuseum 14.06.2023 The Rijksmuseum Publications Department
Subjects:	Art restoration Digital imaging Pigments Rembrandt Van Rijn (1606-1669) Renaissance period
ISSN:	1877-8127, 2772-6126, 2772-6126
Online Access:	Get full text
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Summary:	Petria Noble, along with Annelies van Loon and Jonathan Bikker, examined the paint application and composition in Rembrandt's The Standard Bearer and concluded that some pigments used for the costume have lost their colour; however, the white flag is as intended. It is also now clear how the artwork was restored in 1958.
Bibliography:	ObjectType-Article-1 SourceType-Scholarly Journals-1 ObjectType-Feature-2 content type line 14
ISSN:	1877-8127 2772-6126 2772-6126
DOI:	10.52476/trb.15070