Sinophone Classicism: Chineseness as Temporal and Mnemonic Experience in the Digital Era
In recent decades, highly heterogeneous literary and artistic articulations harking back to China's classical past have gained increasing currency in the global Sinophone space and cyberspace. Instead of dismissing them as “fetishisms” or authenticating them as “Chinese traditions,” I propose “...
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| Veröffentlicht in: | The Journal of Asian studies Jg. 81; H. 4; S. 657 - 671 |
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| Format: | Journal Article |
| Sprache: | Englisch |
| Veröffentlicht: |
New York, USA
Cambridge University Press
01.11.2022
Duke University Press, NC & IL |
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| ISSN: | 0021-9118, 1752-0401 |
| Online-Zugang: | Volltext |
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| Abstract | In recent decades, highly heterogeneous literary and artistic articulations harking back to China's classical past have gained increasing currency in the global Sinophone space and cyberspace. Instead of dismissing them as “fetishisms” or authenticating them as “Chinese traditions,” I propose “Sinophone classicism” as a new critical expression for conceptualizing this diverse array of articulations. It refers to the appropriation, redeployment, and reconfiguration of cultural memories evoking Chinese aesthetic and intellectual traditions for local, contemporary, and vernacular uses, by agents identified or self-identified as Chinese. This essay proposes a subjective, intimate, and reflexive way to experience an individual's culturally acquired “Chineseness” that is temporal, mnemonic, and often mediated by digital media. It joins recent scholarly efforts to dismantle the view of “Chinese modernity” as a monocentric and homogenous experience by refocusing on classicism as a kind of “antimodern modernism.” It also joins the post-Eurocentric turn in global academia by hinting at a future of “global classicisms.” |
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| AbstractList | In recent decades, highly heterogeneous literary and artistic articulations harking back to China's classical past have gained increasing currency in the global Sinophone space and cyberspace. Instead of dismissing them as “fetishisms” or authenticating them as “Chinese traditions,” I propose “Sinophone classicism” as a new critical expression for conceptualizing this diverse array of articulations. It refers to the appropriation, redeployment, and reconfiguration of cultural memories evoking Chinese aesthetic and intellectual traditions for local, contemporary, and vernacular uses, by agents identified or self-identified as Chinese. This essay proposes a subjective, intimate, and reflexive way to experience an individual's culturally acquired “Chineseness” that is temporal, mnemonic, and often mediated by digital media. It joins recent scholarly efforts to dismantle the view of “Chinese modernity” as a monocentric and homogenous experience by refocusing on classicism as a kind of “antimodern modernism.” It also joins the post-Eurocentric turn in global academia by hinting at a future of “global classicisms.” |
| Author | Yang, Zhiyi |
| Author_xml | – sequence: 1 givenname: Zhiyi orcidid: 0000-0003-4982-1187 surname: Yang fullname: Yang, Zhiyi email: z.yang@em.uni-frankfurt.de organization: Department of Sinology, Goethe University Frankfurt, Frankfurt, Germany |
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| Cites_doi | 10.1007/978-3-030-24682-2 10.4159/9780674044463 10.1163/ej.9789004187658.i-234.9 10.2307/303595 10.1017/S0305741010000585 10.1177/146879410100100205 10.1215/9780822380221 10.2307/jj.14904986 10.2307/303586 10.1163/9789004310803 10.1177/1470593120985144 10.7208/chicago/9780226774497.001.0001 10.5790/hongkong/9789888139033.001.0001 10.4324/9781003087885 10.2307/303809 10.1017/CBO9780511996306 10.1163/156853292X00045 10.1515/9783110207262 10.1525/california/9780520295490.001.0001 10.1525/california/9780520224513.001.0001 10.1093/oxfordhb/9780195338904.001.0001 10.1126/science.185.4157.1124 10.1163/9789004464315 10.7312/columbia/9780231170901.001.0001 10.2307/j.ctt1p9wrd2 |
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| Copyright | Copyright © The Association for Asian Studies, Inc. 2022 |
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| Keywords | canonicity cultural memory postmodernism post-Eurocentrism classicism modernity invented tradition Sinophone Chineseness |
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and Image year: 2013 ident: S0021911822000596_ref14 – volume-title: Empire of Ruin: Black Classicism and American Imperial Culture year: 2018 ident: S0021911822000596_ref8 – ident: S0021911822000596_ref41 – ident: S0021911822000596_ref57 doi: 10.1163/156853292X00045 – start-page: 92 volume-title: Language and the Politics of Emotion year: 1990 ident: S0021911822000596_ref3 – ident: S0021911822000596_ref25 doi: 10.1515/9783110207262 – start-page: 57 volume-title: Intersecting Identities and Interculturality: Discourse and Practice year: 2013 ident: S0021911822000596_ref52 – ident: S0021911822000596_ref10 doi: 10.1525/california/9780520295490.001.0001 – volume: 126 start-page: 709 year: 2011 ident: S0021911822000596_ref51 article-title: The Concept of the Sinophone publication-title: PMLA – volume-title: Sinophone Studies: A Critical Reader year: 2013 ident: S0021911822000596_ref53 – volume: 12 start-page: 526 year: 2018 ident: S0021911822000596_ref66 article-title: Classicism 2.0: The Vitality of Classicist Poetry Online in Contemporary China publication-title: Frontiers of Literary Studies in China – volume-title: Erinnerungsräume: Formen und Wandelungen des kulturellen Gedächtnisses year: 1999 ident: S0021911822000596_ref5 – volume-title: Li Bai ji jiaozhu year: 2007 ident: S0021911822000596_ref39 – start-page: 69 year: 2018 ident: S0021911822000596_ref30 article-title: “Lun Minguo shiqi jiuti shici bianti yu chuangi de chuangzuo shijian” 論民國時期舊體詩詞變體與創體的創作實踐 [On the transformational and creative writing practice of “old-style poetry” in the Republican era] publication-title: Wenyi pinglun – ident: S0021911822000596_ref49 doi: 10.1525/california/9780520224513.001.0001 – volume-title: Feminism and Global Chineseness: The Cultural Production of Controversial Women Authors year: 2007 ident: S0021911822000596_ref68 – ident: S0021911822000596_ref60 doi: 10.1093/oxfordhb/9780195338904.001.0001 – ident: S0021911822000596_ref56 doi: 10.1126/science.185.4157.1124 – ident: S0021911822000596_ref62 – ident: S0021911822000596_ref20 doi: 10.1163/9789004464315 – volume-title: Yimin, jiangjie yu xiandaixing: Hanshi de nanfang lisan yu shuqing year: 2016 ident: S0021911822000596_ref34 – ident: S0021911822000596_ref26 doi: 10.7312/columbia/9780231170901.001.0001 – volume: 9 start-page: 510 year: 2015 ident: S0021911822000596_ref64 article-title: Introduction to the Special Issue on Modern Chinese Lyric Classicism publication-title: Frontiers of Literary Studies in China – volume-title: Mandarin Ducks and Butterflies: Popular Fiction in Early Twentieth-Century Chinese Cities year: 1981 ident: S0021911822000596_ref40 – ident: S0021911822000596_ref21 doi: 10.2307/j.ctt1p9wrd2 – volume-title: Modern Archaics: Continuity and Innovation in the Chinese Lyric Tradition, 1900–1937 year: 2013 ident: S0021911822000596_ref61 – volume-title: Kanon und Zensur year: 1987 ident: S0021911822000596_ref6 – ident: S0021911822000596_ref18 |
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| SubjectTerms | Appropriation Asian literature Asian studies Associative processes Chinese literature Collective memory Cultural heritage Culture Digital media Fashion designers Internet Memories Modernism Modernity Poetry Subjectivity Time Traditions |
| Title | Sinophone Classicism: Chineseness as Temporal and Mnemonic Experience in the Digital Era |
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