Constructing Stance and Interpersonal Meaning in Mandarin Pop Lyrics: A Corpus-Pragmatic Analysis of Jay Chou’s Songs

This study investigates the pragmatic functions of recurring linguistic patterns in Mandarin pop lyrics through a corpus-based analysis of Jay Chou’s discography. As a prominent figure in Mandopop, Chou’s lyrics provide a valuable case for examining how stance, identity, and emotional resonance are...

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Vydané v:Corpus pragmatics : international journal of corpus linguistics and pragmatics Ročník 10; číslo 1
Hlavný autor: Chang, Chen-An
Médium: Journal Article
Jazyk:English
Vydavateľské údaje: Cham Springer International Publishing 01.12.2026
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Abstract This study investigates the pragmatic functions of recurring linguistic patterns in Mandarin pop lyrics through a corpus-based analysis of Jay Chou’s discography. As a prominent figure in Mandopop, Chou’s lyrics provide a valuable case for examining how stance, identity, and emotional resonance are linguistically encoded. The Jay Chou Corpus (JCC), comprising 160 songs released between 2000 and 2023, was analyzed using #LancsBox and AntConc to identify frequent lexical items, collocations, and four-word lexical bundles. Results reveal a strong preference for verb phrase-based bundles involving personal pronouns and communication verbs such as shuo (“say”), which serve key interpersonal and emotive functions. Referential bundles often foreground spatial imagery, reinforcing place-based and experiential themes. Compared to studies on Western artists like Taylor Swift, Chou’s lyrics favor conversational verbs and direct address, creating a more interactive lyrical style. While similar to BTS in the use of verb phrase bundles, Chou’s lyrics show a greater tendency toward spatially oriented referential expressions. This study contributes to corpus pragmatics by demonstrating how formulaic language operates within Mandopop to construct interpersonal meaning and emotional appeal.
AbstractList This study investigates the pragmatic functions of recurring linguistic patterns in Mandarin pop lyrics through a corpus-based analysis of Jay Chou’s discography. As a prominent figure in Mandopop, Chou’s lyrics provide a valuable case for examining how stance, identity, and emotional resonance are linguistically encoded. The Jay Chou Corpus (JCC), comprising 160 songs released between 2000 and 2023, was analyzed using #LancsBox and AntConc to identify frequent lexical items, collocations, and four-word lexical bundles. Results reveal a strong preference for verb phrase-based bundles involving personal pronouns and communication verbs such as shuo (“say”), which serve key interpersonal and emotive functions. Referential bundles often foreground spatial imagery, reinforcing place-based and experiential themes. Compared to studies on Western artists like Taylor Swift, Chou’s lyrics favor conversational verbs and direct address, creating a more interactive lyrical style. While similar to BTS in the use of verb phrase bundles, Chou’s lyrics show a greater tendency toward spatially oriented referential expressions. This study contributes to corpus pragmatics by demonstrating how formulaic language operates within Mandopop to construct interpersonal meaning and emotional appeal.
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Author Chang, Chen-An
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Computer Appl. in Arts and Humanities
Linguistics
Pragmatics
Semantics
Social Sciences
Title Constructing Stance and Interpersonal Meaning in Mandarin Pop Lyrics: A Corpus-Pragmatic Analysis of Jay Chou’s Songs
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