In the Shadow of the Cuckoo Clock. The Subversive Realism of the Third Man

With a view to exemplifying how film noir can effectively combine elements of expressionism and realism through a participatory viewing experience, this paper provides a discussion of as a cinematic text that concomitantly reiterates traditional insular values in times of global conflict and strengt...

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Veröffentlicht in:Romanian journal of English studies Jg. 20; H. 1; S. 80 - 88
1. Verfasser: More, Octavian
Format: Journal Article
Sprache:Englisch
Veröffentlicht: Timisoara Sciendo 01.12.2023
De Gruyter Brill Sp. z o.o., Paradigm Publishing Services
Schlagworte:
British cinema
film noir
palpable absence
semantic gaps
visual realism
ISSN:2286-0428, 1584-3734, 2286-0428
Online-Zugang:Volltext
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Zusammenfassung:With a view to exemplifying how film noir can effectively combine elements of expressionism and realism through a participatory viewing experience, this paper provides a discussion of as a cinematic text that concomitantly reiterates traditional insular values in times of global conflict and strengthens the individuality of post-war British cinema against the pressures of the American film industry.
Bibliographie:ObjectType-Article-1
SourceType-Scholarly Journals-1
ObjectType-Feature-2
content type line 14
ISSN:2286-0428
1584-3734
2286-0428
DOI:10.2478/rjes-2023-0009