Provenance informing restitution: the case of Isleta paintings
This work presents a case study that examines a complex web of cultural documentation that spans multiple record formats and creators with varying, and sometimes conflicting, perspectives. We show how recent efforts to expand and refine the archival concept of provenance may carry practical benefits...
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| Vydáno v: | Archival science Ročník 25; číslo 1; s. 8 |
|---|---|
| Hlavní autor: | |
| Médium: | Journal Article |
| Jazyk: | angličtina |
| Vydáno: |
Dordrecht
Springer Netherlands
01.03.2025
Springer Nature B.V |
| Témata: | |
| ISSN: | 1389-0166, 1573-7500, 1573-7519 |
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| Abstract | This work presents a case study that examines a complex web of cultural documentation that spans multiple record formats and creators with varying, and sometimes conflicting, perspectives. We show how recent efforts to expand and refine the archival concept of provenance may carry practical benefits for a broad range of cultural heritage professionals as they seek to organize and interpret collections that cut across distinct personal, social, institutional, and disciplinary boundaries. The case explores provenance as an interdisciplinary framework that might be applied by archives, museums, and libraries as a means to inform restitution for cultural heritage representing non-Western cultures. The case shows how an archival approach to provenance research can be an effective means through which cultural heritage professionals may evaluate the actions and underlying perspectives of record creators and subjects, hopefully leading to richer, more complete accounts of how objects have been collected by individuals as well as the communities to which they belong. |
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| AbstractList | This work presents a case study that examines a complex web of cultural documentation that spans multiple record formats and creators with varying, and sometimes conflicting, perspectives. We show how recent efforts to expand and refine the archival concept of provenance may carry practical benefits for a broad range of cultural heritage professionals as they seek to organize and interpret collections that cut across distinct personal, social, institutional, and disciplinary boundaries. The case explores provenance as an interdisciplinary framework that might be applied by archives, museums, and libraries as a means to inform restitution for cultural heritage representing non-Western cultures. The case shows how an archival approach to provenance research can be an effective means through which cultural heritage professionals may evaluate the actions and underlying perspectives of record creators and subjects, hopefully leading to richer, more complete accounts of how objects have been collected by individuals as well as the communities to which they belong. |
| ArticleNumber | 8 |
| Author | Botticelli, Peter |
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| Cites_doi | 10.1007/s10502-006-9019-1 10.7208/chicago/9780226139098.001.0001 10.1007/s10502-012-9180-7 10.5479/si.00810223.5.1 10.2307/534971 10.1525/aa.1968.70.4.02a00900 10.1086/684145 10.1525/aa.1928.30.4.02a00050 10.1007/s10502-005-9010-2 10.1086/676489 10.17723/aarc.74.1.4233nv6nv6428521 10.2307/535921 10.1525/aa.1920.22.1.02a00060 10.1007/s10502-007-9043-9 10.1007/s10502-019-09307-x 10.1525/tph.2019.41.1.90 10.1007/s10502-019-09305-z 10.1111/j.1548-1379.2010.01107.x 10.24242/jclis.v3i2.120 10.5040/9798400636288.ch-002 10.1525/aa.1921.23.2.02a00030 10.1086/648461 10.1007/s10502-019-09326-8 10.1215/9780822388104 |
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| Keywords | Provenance Restitution Libraries Museums Archives Repatriation |
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| References_xml | – volume: 6 start-page: 267 year: 2006 ident: 9476_CR4 publication-title: Arch Sci doi: 10.1007/s10502-006-9019-1 – volume-title: Pueblo Indian religion year: 1939 ident: 9476_CR35 – ident: 9476_CR1 – volume-title: Elsie Clews Parsons: inventing modern life year: 1997 ident: 9476_CR16 doi: 10.7208/chicago/9780226139098.001.0001 – volume: 13 start-page: 95 year: 2013 ident: 9476_CR15 publication-title: Arch Sci doi: 10.1007/s10502-012-9180-7 – volume-title: The artist of “Isleta Paintings” in Pueblo society year: 1967 ident: 9476_CR21 doi: 10.5479/si.00810223.5.1 – volume: 61 start-page: 127 year: 2006 ident: 9476_CR27 publication-title: Archivaria – volume: 39 start-page: 70 issue: 151 year: 1926 ident: 9476_CR20 publication-title: J of Am Folklore doi: 10.2307/534971 – volume: 81 start-page: 23 year: 2016 ident: 9476_CR7 publication-title: Archivaria – ident: 9476_CR26 – volume: 70 start-page: 838 issue: 4 year: 1968 ident: 9476_CR30 publication-title: Goldfrank Am Anthropol doi: 10.1525/aa.1968.70.4.02a00900 – start-page: 188 volume-title: Clifford J (1997) Routes: travel and translation in the late twentieth century year: 1997 ident: 9476_CR10 – volume: 86 start-page: 25 issue: 1 year: 2016 ident: 9476_CR39 publication-title: Library Quarterly doi: 10.1086/684145 – volume: 30 start-page: 602 issue: 4 year: 1928 ident: 9476_CR33 publication-title: Am Anthropol doi: 10.1525/aa.1928.30.4.02a00050 – volume: 51 start-page: 14 year: 2001 ident: 9476_CR12 publication-title: Archivaria – volume: 5 start-page: 101 year: 2005 ident: 9476_CR13 publication-title: Arch Sci doi: 10.1007/s10502-005-9010-2 – volume: 90 start-page: 497 year: 2009 ident: 9476_CR14 publication-title: Canadian Historical Review – volume: 84 start-page: 294 issue: 3 year: 2014 ident: 9476_CR38 publication-title: Library Quarterly doi: 10.1086/676489 – volume-title: Isleta paintings year: 1962 ident: 9476_CR36 – start-page: 193 volume-title: 47th Annual report of the Bureau of American Ethnology year: 1932 ident: 9476_CR34 – volume: 74 start-page: 185 year: 2011 ident: 9476_CR8 publication-title: American Archivist doi: 10.17723/aarc.74.1.4233nv6nv6428521 – volume: 56 start-page: 76 issue: 219 year: 1943 ident: 9476_CR25 publication-title: J of American Folklore doi: 10.2307/535921 – volume: 22 start-page: 56 issue: 1 year: 1920 ident: 9476_CR31 publication-title: Am Anthropol doi: 10.1525/aa.1920.22.1.02a00060 – volume-title: Daughters of the desert: women anthropologists and the Native American Southwest, 1880–1980 year: 1990 ident: 9476_CR3 – volume: 6 start-page: 351 year: 2006 ident: 9476_CR29 publication-title: Arch Sci doi: 10.1007/s10502-007-9043-9 – volume: 19 start-page: 87 year: 2019 ident: 9476_CR9 publication-title: Arch Sci doi: 10.1007/s10502-019-09307-x – volume: 53 start-page: 1 year: 2002 ident: 9476_CR28 publication-title: Archivaria – volume: 94 start-page: 308 issue: 3 year: 1950 ident: 9476_CR40 publication-title: Proc Am Philos Soc – volume: 41 start-page: 90 year: 2019 ident: 9476_CR11 publication-title: Public Hist doi: 10.1525/tph.2019.41.1.90 – volume: 19 start-page: 185 year: 2019 ident: 9476_CR24 publication-title: Arch Sci doi: 10.1007/s10502-019-09305-z – ident: 9476_CR17 – volume: 34 start-page: 56 year: 2011 ident: 9476_CR5 publication-title: Mus Anthropology doi: 10.1111/j.1548-1379.2010.01107.x – volume-title: Isleta paintings year: 1970 ident: 9476_CR37 – year: 2021 ident: 9476_CR41 publication-title: J Crit Library Inf Stud doi: 10.24242/jclis.v3i2.120 – ident: 9476_CR18 doi: 10.5040/9798400636288.ch-002 – volume: 23 start-page: 149 issue: 2 year: 1921 ident: 9476_CR32 publication-title: Am Anthropol doi: 10.1525/aa.1921.23.2.02a00030 – volume: 80 start-page: 7 issue: 1 year: 2010 ident: 9476_CR19 publication-title: Library Quarterly doi: 10.1086/648461 – volume: 19 start-page: 349 year: 2019 ident: 9476_CR23 publication-title: Arch Sci doi: 10.1007/s10502-019-09326-8 – volume-title: Native moderns: American Indian painting, 1940–1960 year: 2006 ident: 9476_CR2 doi: 10.1215/9780822388104 – volume-title: Brutish museums: the Benin bronzes, colonial violence and cultural restitution year: 2021 ident: 9476_CR22 – ident: 9476_CR6 |
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| SubjectTerms | Anthropology Archival research Archives & records Case studies Computer Appl. in Arts and Humanities Cultural and Media Studies Cultural Heritage Cultural resources Documentation Information Storage and Retrieval Interdisciplinary aspects Libraries Library Science Literature Museums Original Paper Professionals Provenance Repatriation Restitution |
| Title | Provenance informing restitution: the case of Isleta paintings |
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