World-modeling universals of childhood in M. A. Osorgin’s story From the Little House
The purpose of this article is to consider the specific features of the artistic embodiment of the components of the author’s childhood world model in the story From the Little House by the writer of the first wave of the Russian émigré, M. A. Osorgin. The author-narrator appears as the central worl...
Uloženo v:
| Vydáno v: | Izvestiya of Saratov University. Philology. Journalism Ročník 24; číslo 4; s. 421 - 426 |
|---|---|
| Hlavní autor: | |
| Médium: | Journal Article |
| Jazyk: | angličtina |
| Vydáno: |
Saratov State University
22.11.2024
|
| Témata: | |
| ISSN: | 1817-7115, 2541-898X |
| On-line přístup: | Získat plný text |
| Tagy: |
Přidat tag
Žádné tagy, Buďte první, kdo vytvoří štítek k tomuto záznamu!
|
| Abstract | The purpose of this article is to consider the specific features of the artistic embodiment of the components of the author’s childhood
world model in the story From the Little House by the writer of the first wave of the Russian émigré, M. A. Osorgin. The author-narrator appears
as the central world-modeling category of the work. He remembers, reflects, describes himself as a child. The theme of memory stated in
the story is the leading one for the autobiographical prose of the Russian émigré writers. Everything in the work is controlled by the author’s
creative power, his inner experiences and sensations. Alongside with that, by describing himself in his childhood, the author gives an infant,
a child an opportunity to become the subject of world modeling and at the same time a participant of the depicted events. As a result, the
reader sees the child’s world as he himself created and modeled it. The “voice” of the adult narrator is nevertheless significant in the story.
The artistic model of the world, recreated in the work, is based on a number of images-memories, saturated with philosophical, historical,
and ethical issues. The story presents a picture of the world that has special world-modeling universals, expressed by means of oppositions,
the antithesis of the eternal and the mundane, models of world duality, the opposition of Space and Chaos, the image of changing space, recurrent themes, motifs and images that undergo a symbolic generalization. The earthly world correlates with the idea of the fragility of
human existence. The image of home is interpreted as a space of protection, peace, desired solitude, and unaffectedness. Infancy is associated with the category of eternity. The world-modeling category of time in Osorgin’s story acquires the characteristics of fleetingness, cosmic
flow, return from the present to the past, duration, and expansion. The theme of music plays a big role. Childhood is interpreted as a time of
ultimate harmonious existence. Scenes of nature are closely related to the themes of origins, beauty and spiritual purity. The story combines
real and fantastic plans. The author’s reflections are addressed to the fate of Russia and issues of spiritual national existence. |
|---|---|
| AbstractList | The purpose of this article is to consider the specific features of the artistic embodiment of the components of the author’s childhood
world model in the story From the Little House by the writer of the first wave of the Russian émigré, M. A. Osorgin. The author-narrator appears
as the central world-modeling category of the work. He remembers, reflects, describes himself as a child. The theme of memory stated in
the story is the leading one for the autobiographical prose of the Russian émigré writers. Everything in the work is controlled by the author’s
creative power, his inner experiences and sensations. Alongside with that, by describing himself in his childhood, the author gives an infant,
a child an opportunity to become the subject of world modeling and at the same time a participant of the depicted events. As a result, the
reader sees the child’s world as he himself created and modeled it. The “voice” of the adult narrator is nevertheless significant in the story.
The artistic model of the world, recreated in the work, is based on a number of images-memories, saturated with philosophical, historical,
and ethical issues. The story presents a picture of the world that has special world-modeling universals, expressed by means of oppositions,
the antithesis of the eternal and the mundane, models of world duality, the opposition of Space and Chaos, the image of changing space, recurrent themes, motifs and images that undergo a symbolic generalization. The earthly world correlates with the idea of the fragility of
human existence. The image of home is interpreted as a space of protection, peace, desired solitude, and unaffectedness. Infancy is associated with the category of eternity. The world-modeling category of time in Osorgin’s story acquires the characteristics of fleetingness, cosmic
flow, return from the present to the past, duration, and expansion. The theme of music plays a big role. Childhood is interpreted as a time of
ultimate harmonious existence. Scenes of nature are closely related to the themes of origins, beauty and spiritual purity. The story combines
real and fantastic plans. The author’s reflections are addressed to the fate of Russia and issues of spiritual national existence. The purpose of this article is to consider the specific features of the artistic embodiment of the components of the author's childhood world model in the story From the Little House by the writer of the first wave of the Russian émigré, M. A. Osorgin. The author-narrator appears as the central world-modeling category of the work. He remembers, reflects, describes himself as a child. The theme of memory stated in the story is the leading one for the autobiographical prose of the Russian émigré writers. Everything in the work is controlled by the author's creative power, his inner experiences and sensations. Alongside with that, by describing himself in his childhood, the author gives an infant, a child an opportunity to become the subject of world modeling and at the same time a participant of the depicted events. As a result, the reader sees the child's world as he himself created and modeled it. The "voice" of the adult narrator is nevertheless significant in the story. The artistic model of the world, recreated in the work, is based on a number of images-memories, saturated with philosophical, historical, and ethical issues. The story presents a picture of the world that has special world-modeling universals, expressed by means of oppositions, the antithesis of the eternal and the mundane, models of world duality, the opposition of Space and Chaos, the image of changing space, recurrent themes, motifs and images that undergo a symbolic generalization. The earthly world correlates with the idea of the fragility of human existence. The image of home is interpreted as a space of protection, peace, desired solitude, and unaffectedness. Infancy is associated with the category of eternity. The world-modeling category of time in Osorgin's story acquires the characteristics of fleetingness, cosmic f l ow, return from the present to the past, duration, and expansion. The theme of music plays a big role. Childhood is interpreted as a time of ultimate harmonious existence. Scenes of nature are closely related to the themes of origins, beauty and spiritual purity. The story combines real and fantastic plans. The author's reflections are addressed to the fate of Russia and issues of spiritual national existence. |
| Author | Shestakova, E. Yu |
| Author_xml | – sequence: 1 givenname: E. Yu orcidid: 0000-0001-5764-0576 surname: Shestakova fullname: Shestakova, E. Yu |
| BookMark | eNo9kN1KAzEQhYNUsP68Qy683ZrZzW6y4E0p_hQqvVHqXchmJzay3UiyCt75Gr6eT2K2FTlnGBgOH8M5JZPe90jIJbAZyJKxK5AgMgFQZjnLeZaclEOa6ohM85JDJmv5PCHT_-QJuYjRNYxzxiuZl1Oy2fjQtdnOt9i5_oW-9-4DQ9RdpN5Ss3Vdu_W-pa6nDzM6n9F19OHF9T9f35HGwYdPehv8jg5bpCs3DB3Se_8e8Zwc2wTBi799Rp5ubx4X99lqfbdczFeZAVFUWaVNjdI2Wla8EiUAykKI1qAssTCihUKyBlkNAMIYKxi3Oq_rMWDQcFackeWB23r9qt6C2-nwqbx2an9IvyodBmc6VFBYxtA0tRY1bxrZWCYs1oXQFdOW68S6PrBM8DEGtP88YGrfuRqbVGOTauxcJSflkKYqfgED8ngU |
| ContentType | Journal Article |
| CorporateAuthor | Severodvinsk branch of the Northern (Arctic) Federal University named after M. V. Lomonosov |
| CorporateAuthor_xml | – name: Severodvinsk branch of the Northern (Arctic) Federal University named after M. V. Lomonosov |
| DBID | AAYXX CITATION DOA |
| DOI | 10.18500/1817-7115-2024-24-4-421-426 |
| DatabaseName | CrossRef DOAJ Directory of Open Access Journals |
| DatabaseTitle | CrossRef |
| DatabaseTitleList | CrossRef |
| Database_xml | – sequence: 1 dbid: DOA name: DOAJ Directory of Open Access Journals url: https://www.doaj.org/ sourceTypes: Open Website |
| DeliveryMethod | fulltext_linktorsrc |
| EISSN | 2541-898X |
| EndPage | 426 |
| ExternalDocumentID | oai_doaj_org_article_13f00ecb9a794bb8bf07fe937a60af4a 10_18500_1817_7115_2024_24_4_421_426 |
| GroupedDBID | AAYXX ALMA_UNASSIGNED_HOLDINGS CITATION GROUPED_DOAJ |
| ID | FETCH-LOGICAL-c1736-6ac9e8fba86467511e8377dce85e3c7d1380be091117ccf704fa299dce8cec403 |
| IEDL.DBID | DOA |
| ISSN | 1817-7115 |
| IngestDate | Fri Oct 03 12:44:22 EDT 2025 Sat Nov 29 03:27:12 EST 2025 |
| IsDoiOpenAccess | true |
| IsOpenAccess | true |
| IsPeerReviewed | true |
| IsScholarly | true |
| Issue | 4 |
| Language | English |
| LinkModel | DirectLink |
| MergedId | FETCHMERGED-LOGICAL-c1736-6ac9e8fba86467511e8377dce85e3c7d1380be091117ccf704fa299dce8cec403 |
| ORCID | 0000-0001-5764-0576 |
| OpenAccessLink | https://doaj.org/article/13f00ecb9a794bb8bf07fe937a60af4a |
| PageCount | 6 |
| ParticipantIDs | doaj_primary_oai_doaj_org_article_13f00ecb9a794bb8bf07fe937a60af4a crossref_primary_10_18500_1817_7115_2024_24_4_421_426 |
| PublicationCentury | 2000 |
| PublicationDate | 2024-11-22 |
| PublicationDateYYYYMMDD | 2024-11-22 |
| PublicationDate_xml | – month: 11 year: 2024 text: 2024-11-22 day: 22 |
| PublicationDecade | 2020 |
| PublicationTitle | Izvestiya of Saratov University. Philology. Journalism |
| PublicationYear | 2024 |
| Publisher | Saratov State University |
| Publisher_xml | – name: Saratov State University |
| SSID | ssib044046825 ssib060989348 ssib015894162 ssib044742514 |
| Score | 2.2744362 |
| Snippet | The purpose of this article is to consider the specific features of the artistic embodiment of the components of the author’s childhood
world model in the... The purpose of this article is to consider the specific features of the artistic embodiment of the components of the author's childhood world model in the... |
| SourceID | doaj crossref |
| SourceType | Open Website Index Database |
| StartPage | 421 |
| SubjectTerms | childhood from the little house hero image of a child m. a. osorgin space time world-modeling universals |
| Title | World-modeling universals of childhood in M. A. Osorgin’s story From the Little House |
| URI | https://doaj.org/article/13f00ecb9a794bb8bf07fe937a60af4a |
| Volume | 24 |
| hasFullText | 1 |
| inHoldings | 1 |
| isFullTextHit | |
| isPrint | |
| journalDatabaseRights | – providerCode: PRVAON databaseName: DOAJ Directory of Open Access Journals customDbUrl: eissn: 2541-898X dateEnd: 99991231 omitProxy: false ssIdentifier: ssib060989348 issn: 1817-7115 databaseCode: DOA dateStart: 20050101 isFulltext: true titleUrlDefault: https://www.doaj.org/ providerName: Directory of Open Access Journals – providerCode: PRVHPJ databaseName: ROAD: Directory of Open Access Scholarly Resources customDbUrl: eissn: 2541-898X dateEnd: 99991231 omitProxy: false ssIdentifier: ssib044742514 issn: 1817-7115 databaseCode: M~E dateStart: 20110101 isFulltext: true titleUrlDefault: https://road.issn.org providerName: ISSN International Centre |
| link | http://cvtisr.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrV3LSsQwFA0iIm5EUfFNFm6jSZtXlyoOLnR0oeiuJOkNzMKOzDiCO3_D3_NLvElnnNm5kaSb0Jbm5JBzLw3nEnLilTbBR2ClKjWToBzzKJPMBA5QGK6c9bnYhOn37fNzdb9Q6iudCevsgTvgzkQZOYfgK4fM8d76yE0EFFWnuYsyh0bcVAvJFDJJKFtJMTfCSyZ42s6ZKyVmhGr-_1DzCnU7l9pCxcMvxThplZykHcUqzs9-B5FUhWTYsRWYfCVPhgU9W7D9z_rU2yDr08CSnncT2iRL0G6Rp3xWhuVyN6hRdNIdw0DK0WGkYWZrTActvT2l56f0boyoDNrvz68xTecmP2hvNHyhGCXSm0GyO6bXw8kYtslj7-rh8ppNSymwIAwugnahAhu9sxp3RgyyABNT06SapVAG04jScg887XwmhGi4jA6FKt0QIEhe7pDldtjCLqGilFrbaMEYkA0o7yrfgDA-QCF0Y_eImgFSv3aOGXXKNBKQdQKyTkDWCcgaO7ZC4KX3yEVC7_eZ5HudB3De9ZQN9V9s2P-PlxyQtbzMQrCiOCTLb6MJHJGV8P42GI-OM9F-AIdYz7A |
| linkProvider | Directory of Open Access Journals |
| openUrl | ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=World-modeling+universals+of+childhood+in+M.+A.+Osorgin%E2%80%99s+story+From+the+Little+House&rft.jtitle=Izvestiya+of+Saratov+University.+Philology.+Journalism&rft.au=Shestakova%2C+E.+Yu&rft.date=2024-11-22&rft.issn=1817-7115&rft.eissn=2541-898X&rft.volume=24&rft.issue=4&rft.spage=421&rft.epage=426&rft_id=info:doi/10.18500%2F1817-7115-2024-24-4-421-426&rft.externalDBID=n%2Fa&rft.externalDocID=10_18500_1817_7115_2024_24_4_421_426 |
| thumbnail_l | http://covers-cdn.summon.serialssolutions.com/index.aspx?isbn=/lc.gif&issn=1817-7115&client=summon |
| thumbnail_m | http://covers-cdn.summon.serialssolutions.com/index.aspx?isbn=/mc.gif&issn=1817-7115&client=summon |
| thumbnail_s | http://covers-cdn.summon.serialssolutions.com/index.aspx?isbn=/sc.gif&issn=1817-7115&client=summon |