Treasures from the Wreck of the Unbelievable or The project of Damien Gerst as the focus of contemporary art self-positioning tendencies

The article presents and analyzes the large-scale exhibition of the world-famous and scandalously famous English artist Damien Hirrst, presented in the framework of the Venice Biennale 2017. It gives a brief overview of the artist›s creative path and the concept of the «Treasures from the Wreck of t...

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Veröffentlicht in:Sučasne mistectvo H. 13; S. 21 - 45
1. Verfasser: Олеся Авраменко
Format: Journal Article
Sprache:Englisch
Veröffentlicht: National Academy of Arts of Ukraine. Modern Art Research Institute 12.12.2017
Schlagworte:
арт-ринок
блокбастер
венеційська бієнале
копія
метамодернізм
містифікація
проект демієна герста
псевдостилізм
спекуляція цінностями
стиль
стилізація
історизм
ISSN:2309-8813, 2663-0362
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Abstract The article presents and analyzes the large-scale exhibition of the world-famous and scandalously famous English artist Damien Hirrst, presented in the framework of the Venice Biennale 2017. It gives a brief overview of the artist›s creative path and the concept of the «Treasures from the Wreck of the Unbelievable « project — a recent experiment in the style of the metamodernism, as well as a number of professional questions regarding the tasks and meanings of such projects.
AbstractList The article presents and analyzes the large-scale exhibition of the world-famous and scandalously famous English artist Damien Hirrst, presented in the framework of the Venice Biennale 2017. It gives a brief overview of the artist›s creative path and the concept of the «Treasures from the Wreck of the Unbelievable « project — a recent experiment in the style of the metamodernism, as well as a number of professional questions regarding the tasks and meanings of such projects.
Author Олеся Авраменко
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SubjectTerms арт-ринок
блокбастер
венеційська бієнале
копія
метамодернізм
містифікація
проект демієна герста
псевдостилізм
спекуляція цінностями
стиль
стилізація
історизм
Title Treasures from the Wreck of the Unbelievable or The project of Damien Gerst as the focus of contemporary art self-positioning tendencies
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